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To make costlier films
- Producer Walter Mirisch began at Monogram Pictures after World War II as assistant to studio head Samuel "Steve" Broidy. He convinced Broidy that the days of low-budget films were ending, and in 1946, Monogram created a new unit, Allied Artists Productions, to make costlier films.
en.wikipedia.org/wiki/Allied_Artists_International
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Monogram Pictures Corporation was an American film studio that produced mostly low-budget films between 1931 and 1953, when the firm completed a transition to the name Allied Artists Pictures Corporation.
Sep 23, 2024 · Creation of Allied Artists Productions. Producer Walter Mirisch began at Monogram post-World War II as an assistant to studio head Steve Broidy. He convinced Broidy that the era of low-budget films was ending, leading Monogram to create a new unit, Allied Artists Productions, in 1946.
Monogram made money on the Bowery Boys and the Cisco Kid, but under its intended “A” movie subsidiary, Allied Artists, also produced some truly memorable films, including Don Siegel’s paranoid masterpiece, Invasion of the Body Snatchers.
Subsequent Allied Artists releases were more economical but did have enhanced production value, with many being filmed in color. In July 1948 Monogram reported a loss of $978,000. The following year the loss was $850,000, although Broidy thought the company would go into profit the following year. [ 11 ]
Revival and creation of Allied Artists Productions. Producer Walter Mirisch began at Monogram after World War II as assistant to studio head Steve Broidy. He convinced Broidy that the days of low-budget films were ending, and in 1946 Monogram created a new unit, Allied Artists Productions, to make costlier films.
Allied Artists Productions was founded as a subsidiary of Monogram in 1946; by 1953, the Monogram name had been phased out and the company was officially renamed the Allied Artists Pictures Corporation.
Jun 22, 2024 · Creation of Allied Artists Productions. Producer Walter Mirisch began at Monogram after World War II as assistant to studio head Steve Broidy. He convinced Broidy that the days of low-budget films were ending, and in 1946 Monogram created a new unit, Allied Artists Productions, to make costlier films.
