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  1. en.wikipedia.org › wiki › Erik_CharellErik Charell - Wikipedia

    Charell studied dance in Berlin. He was discovered, according to his own account, by the press in 1913 during a performance of the ballet-pantomime Venezianische Abenteuer eines jungen Mannes by playwright Karl Vollmöller in a production of director Max Reinhardt at the Deutsches Theater in Berlin. [2]

  2. Feb 19, 2014 · He was discovered, according his own account, by the press in 1913 during a performance of the ballet-pantomime Venezianische Abenteuer eines jungen Mannes by playwright Karl Vollmöller in a production of director Max Reinhardt at the Deutsches Theater in Berlin.

    • Who were Max Reinhardt and Erik Charell?1
    • Who were Max Reinhardt and Erik Charell?2
    • Who were Max Reinhardt and Erik Charell?3
    • Who were Max Reinhardt and Erik Charell?4
    • Who were Max Reinhardt and Erik Charell?5
  3. Max Reinhardt ( German: [maks ˈʁaɪnhaʁt]; born Maximilian Goldmann; 9 September 1873 – 30 October 1943) was an Austrian-born theatre and film director, intendant, and theatrical producer. With his radically innovative and avante garde stage productions, Reinhardt is regarded as one of the most prominent stage directors of the early 20th ...

  4. Jun 15, 2018 · This was no doubt possible only because Stoll retained the entire German production team, Erik Charell as conceiver and director, Hans Müller as its original author, Ernst Stern as the production designer, and Max Rivers for dances. Another import from Berlin was the female star Lea Seidl as Josepha.

    • Who were Max Reinhardt and Erik Charell?1
    • Who were Max Reinhardt and Erik Charell?2
    • Who were Max Reinhardt and Erik Charell?3
    • Who were Max Reinhardt and Erik Charell?4
    • Who were Max Reinhardt and Erik Charell?5
  5. The history of the Friedrichstadt-Palast Berlin began on 29 November 1919 with opening of the Großes Schauspielhaus theater. This Berlin venue owes its international acclaim to three outstanding artists, namely Max Reinhardt, Hans Poelzig and Erik Charell.

  6. After helping to establish the Salzburg Festival in 1920, Reinhardt spent much of his time working in Austria, and he relinquished direction of the Großes Schauspielhaus in 1920, culminating with the handover of the theater to Erik Charell in 1924.

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  8. Charell then embarked on a series of new creations which made him world famous: the “historical operetta trilogy” Casanova (with Michael Bohnen, La Jana and the Comedian Harmonists), Drei Musketiere/Three Musketeers (with Alfred Jerger and Siegfried Arno) and finally Im weißen Rössl (with Max Hansen, Otto Wallburg, Camilla Spira and Paul ...