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Superman and the Mole Men (titled onscreen as Superman and the Mole-Men) is a 1951 American independent black-and-white superhero film released by Lippert Pictures. Produced by Barney A. Sarecky and directed by Lee Sholem , it stars George Reeves as Superman and Phyllis Coates as Lois Lane .
Superman and the Mole-Men: Directed by Lee Sholem. With George Reeves, Phyllis Coates, Jeff Corey, Walter Reed. When underground beings explore the surface world from a deep oil well and inadvertently cause a panic, only Superman can prevent a tragedy.
- (2.4K)
- Action, Adventure, Drama
- Lee Sholem
- 1951-11-06
- Overview
- Synopsis
- Themes
- Cast
- Production notes
- References
is a 1951 black and white film which later aired as two episodes of the Adventures of Superman TV series called "The Unknown People."
It was the first theatrical feature film based on the Superman characters (although two live action Superman films had already been shown in cinemas, they appeared in a serial format). With an original screenplay by "Richard Fielding" (a pseudonym for Robert Maxwell & Whitney Ellsworth), it was shot in 12 days on a studio back lot. It served as a trial run for the syndicated TV series Adventures of Superman, with George Reeves and Phyllis Coates reprising their film roles as Superman and Lois Lane, respectively.
Mild-mannered reporter Clark Kent and Lois Lane are sent to the small town of Silsby for the inauguration of the world's deepest oil well. Unbeknownst to the drillers, however, the drill shaft has penetrated the underground home of the "Mole Men", a race of small, furry (though bald-headed) beings. The Mole Men come up through the shaft at night to explore the surface.
Their peculiar appearance, plus the fact that everything they touch then becomes phosphorescent and glows in the dark, scares the townspeople into forming an angry mob, led by the violent Luke Benson, in order to kill the "monsters". Superman is the only one able to resolve the conflict, saving one of the creatures from falling into the town's water supply after it's been shot by taking it to hospital, while the other is chased away. Later a doctor reveals that unless the creature undergoes surgery to remove the bullet, it will die. Clark Kent is forced to assist the doctor when the nurse refuses to out of fear of the creature. Soon after Benson's mob show up at the hospital demanding to have the creature turned over to them, leading Superman to stand guard outside the hospital. Lois Lane stands at Superman's side, until a shot is fired from the mob narrowly missing Lois. Superman sends her inside and begins to remove the mob of their guns, sending the mob away. Later several more mole creatures emerge from the drill shaft, this time bearing a weapon. They make their way to the hospital. Benson and his mob see the creatures and Benson goes after them alone, but when the creatures see him they use their weapon and fire on him. Superman sees this and quickly jumps in front of the blast, saving Benson's life, which Superman says is "More than you deserve!". He gets the wounded creature and returns him and his companions to the shaft, which they soon destroy so no-one can come up or down ever again.
As with many of the early episodes of The Adventures of Superman, the film is adult-themed, with a good deal of conflict and violence, or the threat thereof, and is played with total seriousness by all the actors; Reeves' Superman, in particular, is all business, displaying none of the humor that the character would develop over time in the TV series.
The sympathetic view of the aliens in this film, and the unreasoning fear on the part of the citizenry, has been compared by author Gary Grossman to the panicked public reaction to the peaceful alien Klaatu in the film The Day the Earth Stood Still, which was released the same year. Both films have been seen retrospectively as a product of (and a reaction to) the "Red Scare" of post-World War II. Grossman also cites a later film perhaps inspired by this one, called The Mole People.
•George Reeves as Superman / Clark Kent
•Phyllis Coates as Lois Lane
•Jeff Corey as Luke Benson
•Walter Reed as Bill Corrigan
•J. Farrell MacDonald as Pop Shannon
•Stanley Andrews as Sheriff
•Some elements were trimmed from the film when it was converted into "The Unknown People," including some portions of a lengthy chase scene, and all references to the term "Mole Men."
•The theme music used for this film had a generic "sci fi sound," with nothing suggesting a specific "Superman theme." The title cards were similarly generic, with low-grade animation of Saturn-like ringed planets and comets sailing by.
•The score was also changed when the film was re-cut into its two-part TV episode. The film featured an original score by Darrell Calker, who scored many of Walter Lantz' Woody Woodpecker cartoons and other shorts. This was removed and replaced with music from the production music library used for the first television season.
•The laser weapon shown in the poster, which the Mole Men brought up from their subterranean home in order to defend themselves and retrieve their injured comrade, was a prop constructed from an Electrolux vacuum cleaner.
•Superman: Serial to Cereal, by Gary Grossman, 1976.
Superman and the Mole Men (titled onscreen as Superman and the Mole-Men) is a 1951 American independent black-and-white superhero film released by Lippert Pictures. Produced by Barney A. Sarecky and directed by Lee Sholem , it stars George Reeves as Superman and Phyllis Coates as Lois Lane .
Robert Maxwell. Reporters Clark Kent and Lois Lane arrive in the small town of Silsby to witness the drilling of the world's deepest oil well. The drill, however, has penetrated the underground home of a race of small, furry people who then come to the surface at night to look around.
Superman and the Mole Men is an independently made 1951 American black-and-white superhero film. Mild-mannered reporter Clark Kent and Lois Lane are sent to the small town of Silsby for the inauguration of the world's deepest oil well.
The man escorting Clark and Lois to the site is oil company publicity man John Craig. Craig is in the dark as far as the well closing; he offers the Silsby hotel to the reporters at the oil company's expense and his car.
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