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      • Double Hope Films is a production company founded by independent film producer Ted Hope and his wife Vanessa Hope in 2010. Double Hope's first film, Dark Horse premiered at the Venice Film Festival in 2011, and the company's sophomore effort, Starlet, premiered at the South by Southwest Film Festival in 2012.
      en.wikipedia.org/wiki/Ted_Hope
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  2. en.wikipedia.org › wiki › Ted_HopeTed Hope - Wikipedia

    Double Hope Films is a production company founded by independent film producer Ted Hope and his wife Vanessa Hope in 2010. Double Hope's first film, Dark Horse premiered at the Venice Film Festival in 2011, and the company's sophomore effort, Starlet, premiered at the South by Southwest Film Festival in 2012.

  3. With unprecedented access to Taiwan's sitting head of state, director Vanessa Hope investigates the election and tenure of Tsai Ing-wen, the first female president of Taiwan.

  4. 19K followers 500+ connections. View mutual connections with Ted. Welcome back. Double Hope Films. New York University, Tisch School Of The Arts. About. Filmworker -- that’s how Ted describes...

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    • New York University, Tisch School Of The Arts
    • Filmworker
  5. Nov 18, 2021 · And then they don’t feel they have to be behind a message to finance or watch a film.” Vanessa Hope, co-founder of Los Angeles-based Double Hope Films, director/producer of Taiwan democracy ...

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    • Who is double Hope films?2
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  6. Documentary, Self: Chu Chen, Yu-jie Chen, Bi-Khim Hsiao, Michelle Kuo ... More about Double Hope Films. Profile.

  7. www.aidc.com.au › whos-coming › ted-hopeTed Hope - AIDC

    Producer and Co-Founder. Double Hope Films. Ted is the former Co-Head of Movies at Amazon Studios and world-renowned independent film producer of recent documentaries Who We Are: A Chronicle of Racism in America and Sundance award-winner, The Devil and Daniel Johnston.

  8. Apr 28, 2021 · Hope, who now runs Double Hope Films, participated in the conference virtually from Los Angeles and advised creators and documentary makers to accept that the streamers’ main need is...

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