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American composer and musician
- Mark Orton (born ca. 1968) is an American composer and musician. An alumnus of the Peabody Conservatory and the Hartt School of Music, he is a founding member of the San Francisco -based Tin Hat chamber music group, and is best known for his score for the Academy Award -nominated film Nebraska (2013).
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Mark Orton (born ca. 1968 [1]) is an American composer and musician. An alumnus of the Peabody Conservatory [2] and the Hartt School of Music, he is a founding member of the San Francisco-based Tin Hat chamber music group, and is best known for his score for the Academy Award-nominated film Nebraska (2013).
Mark Orton is a composer working in the mediums of film scoring, concert music, and radio/podcast. He is both a multi-instrumentalist and a collector of antique and unusual instruments, performing on all manner (and era) of guitars, keyboards, and percussion.
Mark Orton is a composer working in the mediums of film scoring, concert music, and radio/podcast. He is the co-founder of Tin Hat, an internationally renowned composer/improviser collective with seven critically acclaimed albums.
Mark Orton (born ca. 1968 [1]) is an American composer and musician. An alumnus of the Peabody Conservatory [2] and the Hartt School of Music, he is a founding member of the San Francisco-based Tin Hat chamber music group, and is best known for his score for the Academy Award-nominated film Nebraska (2013).
Feb 14, 2024 · It’s been a decade since Mark Orton worked with Oscar-winning filmmaker Alexander Payne but the duo finally found another project to work on together in The Holdovers. Orton’s journey into film composing is different than most composers. He didn’t go to USC or work at one of the big music studios.
- Danielle Solzman
Composer Mark Orton, a returning collaborator of Payne's, takes an organic approach to scoring The Holdovers and incorporates musical tapestries that reflect the film's 1970s setting.
Dec 9, 2023 · ComingSoon had the opportunity to speak with composer Mark Orton about his fantastic score for Alexander Payne’s equally fantastic The Holdovers, which is now available digitally.
