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Chairman of the board since 2005, Benjamin Kahn now leads the Atlantium team as CEO. Chosen as a "Hero of the Environment" in 2007 by TIME Magazine, Benjie has been involved in improving water quality and security around the globe. In addition to his environmental activities, he serves as president of Coral World International Ltd, an.
- Male
- Atlantium
Oct 24, 2007 · October 24, 2007, Updated September 12, 2012. Joining the illustrious likes of recent Nobel Peace Prize winner Al Gore, Israeli environmentalist Benjamin Kahn was named this week as one of TIME magazine’s 45 ‘Heroes of the Environment’. Highlighting the worldwide leaders and visionaries, activists, scientists and innovators, moguls and ...
A short documentary about Benjamin Kahn, a French pianist who played at London St Pancras station every day and every night in the hope of getting scouted. Produced by Counter House Productions Directed by Emile Meyjonade & Natan Stoessel Music by Benjamin Kahn Sound Design by Carlos Hernández Colour Grading by Philipp Morozov
Jul 4, 2019 · Pianist and composer, Benjamin Kahn went from living rough on London's St. Pancras Station to a life filled with music culminating in working as a Hollywood ...
- 21 min
- 847
- Zenways
Benjamin Kahn is a dancer and choreographer. He studied playwriting and theatre at the Université d’Aix en Provence and the Conservatoire de Rennes, and also graduated from ESAC in Belgium. Following his studies, he worked with choreographers including Philippe Saire, Benjamin Vandewalles, Nicole Beutler, Ben Riepe, Maud Le Pladec, Egle Budvytyte, and Alessandro Sciaronni.
May 5, 2023 · An instinctive and cathartic experience linked to a sense of urgency, Bless the sound that saved a Witch like me is a performance that takes place amidst the context of our ongoing geopolitical, ideological and ecological crises. Whether filled with rage, pleasure, pain or silence, a scream is a powerful and deeply intimate act.
Choreographer Benjamin Kahn’s solo for the intriguing performer Sati Veyrunes evokes different figures of dangerous femininity. Together they conjure a compelling show, but also provoke questions about who has the right to create art based on female transgression. The work’s power stems from Veyrunes’ charisma.
