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    • Indian screenwriter, actor, and film director

      • Ananth Narayan Mahadevan (born 28 August 1950), also credited as Anant Mahadevan, is an Indian screenwriter, actor, and film director of Hindi and Marathi as well as Tamil Films and television shows.
      en.wikipedia.org/wiki/Anant_Mahadevan
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  2. Ananth Narayan Mahadevan (born 28 August 1950), also credited as Anant Mahadevan, [1] [2] is an Indian screenwriter, actor, and film director of Hindi and Marathi as well as Tamil Films and television shows. [3]

  3. Anant Mahadevan in a famous actor, director, writer in both the Marathi and Hindi film industry. He was born on 28th August in the year 1950 in Thrissur, United State Of Travancore And Cochin, India. He is also known as Anant Narayan Mahadevan. He started his film career in the year 1984.

    • January 1, 1
    • 3 min
    • Actor, Director, Writer
  4. Dec 27, 2023 · Anant Mahadevan is a well-known actor, director, and writer in Marathi and Hindi film industry. He was born on August 28, 1950, in Thrissur, India, a union of the Indian states of Travancore and Cochin. He is also known as Anant Narayan Mahadevan. He started working in films in the year 1984.

    • 72 Years
    • Ananth Mahadevan
    • 28 August 1950
    • Ananth Narayan Mahadevan
  5. Aug 21, 2024 · Ananth Narayan Mahadevan born 28 August 1950 also credited as Anant Mahadevan, is an Indian screenwriter, actor, and film director of Hindi and Marathi as well

  6. Anant Mahadevan. Director: The Storyteller. Anant Mahadevan in a famous actor, director, writer in both the Marathi and Hindi film industry. He was born on 28th August in the year 1950 in Thrissur, United State Of Travancore And Cochin, India. He is also known as Anant Narayan Mahadevan.

    • August 28, 1950
  7. Nov 26, 2021 · Well, National-award winning actor, dialogue writer-cum-director Ananth Narayan Mahadevan is basking in the warmth of his two socially relevant films — Bittersweet (2021) and The Knocker...

  8. Dec 29, 2021 · Dec 29, 2021. The director and screenwriter on why making a film in India is more about creating a big consumer commodity and less about following a creative pursuit; why despite this he swears allegiance to pure cinema; and why the funding studios should do a 360-degree turnaround on their vision of the cinematic process.

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