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    • Stravinsky

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      • Stravinsky scored the opera for a classical-sized orchestra of two flutes (one doubling piccolo), two oboes (one doubling cor anglais), two clarinets, two bassoons, two horns, two trumpets, timpani, bell, harpsichord (or piano) and strings.
      en.wikipedia.org/wiki/The_Rake's_Progress
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  2. Nov 19, 2021 · The tune was written in 1985 by Robert White and used as background music in the "Krusty Krab" restaurant in "Spongebob Squarepants". From a discussion at Reddit: I managed to get in contact with Robert White, the man who wrote the song. He told me that he wrote The Rake Hornpipe in about 1985.

  3. Utah Symphony music director Thierry Fischer conducted, with stage direction by Roy Rallo, who assisted John Cox during San Francisco Opera's 2000 revival. Also, in 2015, Portland Opera presented the David Hockney production. Conductor was Ari Pelto and with the major roles taken by Jonathon Boyd, David Pittsinger, Maureen McKay and Angela ...

  4. Synopsis: The Rake's Progress Select a language to update the synopsis text. Composer. Igor Stravinsky. Librettist. W.H. Auden, Chester Kallman. Sung In. English ...

  5. Igor Stravinsky (1882-1971) was one of the dominant, defining, and most influential composers of the 20th century. The stylistic development of his music reflected and shaped the major trends of the century and of modernism.

  6. The Rake's Progress is an opera by Igor Stravinsky. The libretto written by W. H. Auden and Chester Kallman is based loosely on the eight paintings and engravings from the 18th century by William Hogarth called A Rake's Progress. Stravinsky had seen these paintings in 1947 at an exhibition in Chicago . The Rake’s Progress tells the story of a ...

  7. The Rake's Progress - 1951. Igor Stravinsky 1882 - 1971. Libretto by W. H. Auden and Chester Kallman based on the eight paintings and engravings 'A Rake's Progress' (1733–1735) of William Hogarth. First performance at Teatro La Fenice, Venice on 11 September 1951. Synopsis.

  8. Oct 24, 2021 · It is not only in its music that the Rake has a museum quality; the status of the libretto by a major poet, the use of a mythical scenario (Prodigal Son meets Faust), and the importance given to stage spectacle, all found in the 1600s as they are in this opera and this production.

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