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Miklós Rózsa (Hungarian: [ˈmikloːʃ ˈroːʒɒ]; April 18, 1907 – July 27, 1995) [1] was a Hungarian-American composer trained in Germany (1925–1931) and active in France (1931–1935), the United Kingdom (1935–1940), and the United States (1940–1995), with extensive sojourns in Italy from 1953 onward. [2] Best known for his nearly ...
Rózsa’s score practically saved the picture and was nominated, but lost to himself for the score of “Spellbound”, which was also nominated in the same year. In 1945, the already highly respected Rózsa became a professor of film scoring at the University of Southern California (USC), where he would remain for the next twenty years.
Miklós Rózsa (often misspelt as Rosza) was born in Budapest on April 18, 1907. His father was a well-to-do land-owning industrialist with a liberal outlook, and the boy grew up in an atmosphere of comfort, culture, and affection. Town life appealed little to young Miklós, especially when set against the manifold attractions of the family's ...
Jun 1, 2022 · Rózsa became best known for epics—sprawling odysseys to other cultures, from the ancient Rome of Quo Vadis (1951) and Ben-Hur (1959) and King of Kings (1961), to the ancient Spain of El Cid (1961). These inspired equally grand, tuneful scores that fused a romantic Hollywood symphony with folk instruments from the time and place of each story, which the composer reveled in researching.
Première: First, Miklós Rózsa, why did you leave Hungary? Miklós Rózsa: It was in 1925, I was 18 years old and I wanted to start studying music. But my dad figured this wasn’t serious. The only thing that interested me outside of music was chemistry, so I went to the University of Leipzig, the best in this field.
Nov 22, 2019 · Following the release of a 78-rpm vinyl, this became the first substantially recorded piece of Hollywood music. Rózsa then went on to collaborate with Billy Wilder on five different occasions, starting with Five Graves to Cairo (1943). During this time he established himself as a key musical figure in film noir, a far cry from the arenas and ...
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May 29, 2018 · The Lost Weekend also introduced the therimin to provide a wailing accompaniment for the alcoholic protagonist's delirium states and the instrument became a favorite for psychological subjects, employed by Rozsa himself for The Red House and in one of his best-remembered scores, for Hitchcock's Spellbound. Such works demonstrated that film music could be serious and contemporary while still ...
