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Oct 4, 2014 · The crime at the heart of “The Blue Room” eventually becomes clear enough, but the people involved remain mysterious. Amalric puts the audience inside his convicted murderer’s head to get them closer to the details but even that point of view remains fatally limited.
Oct 2, 2014 · Mathieu Amalric’s film version of Georges Simenon’s “The Blue Room” deals with adultery, crime and the relationship of sights and sounds.
- Mathieu Amalric
Oct 1, 2014 · In part 2, Mathieu Amalric discusses the quality of Serge Bozon's voice, William Holden's death in connection to David Lynch and Gene Hackman, RKO movies and how his reaction changed since Cannes. The Blue Room opens in New York on October 3 and will be screened at the London Film Festival on October 15.
Mathieu Amalric as director/writer boldly takes on the challenge with his adaptation of Georges Simenon's novel The Blue Room (La Chambre Bleue) and makes it a thriller of membranes, a chronicle of fluid crime.
Sep 9, 2016 · As in the novels of Barbara Vine, the question here is as much “what happened?” as “who did it?” Is that drop of blood on the sheet significant or is it a visual distraction?
- Mathieu Amalric
- Mathieu Amalric
Sep 30, 2014 · Still, “The Blue Room” has its moments, including Drucker’s light presence as Delphine and Christophe Beaucarne’s sharp, clean cinematography (in Academy formatting).
Sep 30, 2014 · Yet The Blue Room has the quality of a mystery that’s being recounted after it’s been solved; there’s some intrigue in knowing what exactly happened and figuring out motives, but no anticipation of what’s about to happen. It’s all postmortem, no urgency, case closed.
