Prime Members Get Instant Access to the Latest Movies, TV Shows and Amazon Originals. Thousands of Popular Movies & TV Shows, Discover the Newest Releases and Classics on Prime
Search results
- The Stars Look Down (1940) Director: Carol Reed. While certain accounts imply that pre-1960 British films were populated exclusively by upper and middle class protagonists asking “Anyone for tennis?”
- Love on the Dole (1941) Director: John Baxter. “A very sordid story in very sordid surroundings” was the British Board of Film Censors verdict when it turned down a proposed film adaptation of Walter Greenwood’s novel back in 1936.
- Saturday Night and Sunday Morning (1960) Director: Karel Reisz. “Don’t let the bastards grind you down, that’s one thing I’ve learned… What I’m out for is a good time, all the rest is propaganda.”
- A Taste of Honey (1961) Director: Tony Richardson. While the films of the New Wave tended to be male dominated in terms of writers, directors and protagonists, one exception was this adaptation of Shelagh Delaney’s A Taste of Honey, which places a mother and daughter at its centre.
Aug 29, 2021 · Cinematic realism is rooted in the tenets of the realism arts movement, as well as philosophical realism. We can infer whether or not a film is “realistic” based on objective truths, like if it has unsensational happenings, or contained narratives.
Mean Streets. Martin Scorsese emerged as a generation-defining filmmaker with this gritty portrait of 1970s New York City, one of the most influential works of American independent cinema. Set in the insular Little Italy neighborhood of Scorsese’s youth, Mean Streets follows guilt-ridden small-time ringleader Charlie (Harvey Keitel) as he ...
- Johnny Boy
Mean Streets was the beginning of a wave of new filmmaking that had realism and true emotion at its heart. Apart from a few actors like Marlon Brando, acting styles were different compared to the highly emotive performances of De Niro and Keitel.
- Georgia May
- Big Fish (2003) Directed by Tim Burton. Starring Ewan McGregor, Albert Finney, Billy Crudup. Adventure, Drama, Fantasy (2h 5m) 8.0 on IMDb — 75% on RT. Father-son relationships are a popular topic in film, but Tim Burton explores it in a uniquely creative way here.
- Pan's Labyrinth (2006) Directed by Guillermo del Toro. Starring Ivana Baquero, Ariadna Gil, Sergi López. Drama, Fantasy, War (1h 58m) 8.2 on IMDb — 95% on RT.
- Black Swan (2010) Directed by Darren Aronofsky. Starring Natalie Portman, Mila Kunis, Vincent Cassel. Drama, Thriller (1h 48m) 8.0 on IMDb — 85% on RT. Black Swan is a psychological horror that treads on the toes of fantasy.
- Amélie (2001) Directed by Jean-Pierre Jeunet. Starring Audrey Tautou, Mathieu Kassovitz, Rufus. Comedy, Romance (2h 2m) 8.3 on IMDb — 89% on RT. Amélie is an aesthetically pleasing example of nuanced surrealism, with a color-coded mise en scène worth studying.
This film really only receives the praise it does because it's got Scorsese's name to it. It has that early 70's NYC realism to it which is its strength, along with the cinematography, and...
- (78)
- Crime, Drama
- R
People also ask
What is realism in film?
Who invented realism in film?
How do you know if a film is realistic?
What influenced realism in film in the 1950s?
What is Mean Streets based on?
Why is Mean Streets a good movie?
May 20, 2015 · In the shadow of age and stature Mean Streets has a distinct feel; a product of its time and perhaps how Scorsese fitted into the turbulent New American Cinema in contrast to his contemporaries: Coppola’s larger than life cinematic vision of the mob and war, and the less personal but more archetypal storytelling through spectacle with the ...
