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Winter 1931. New York is in the grip of the Depression. When Rose Mahoney loses her typing job, the peppy, hardboiled blonde believes she will quickly find another. But soon, meager savings dwindling, she is homeless, cast alone into the underbelly of the cold, dark city . . .
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- Paperback
- Val Lewton
Apr 3, 2006 · Set in 1931, No Bed of Her Own is the story of Rose Mahoney, a peppy, hard-boiled New York blonde who loses job and home in the Depression. Cast alone into the dark underbelly of the city, she must try to survive a world of decadence, hypocrisy and greed with only her wits to protect her.
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- Val Lewton
Jun 14, 2023 · The quotation introduces producer Val Lewton’s classic horror film Cat People, however, and it reveals Lewton’s deeper preoccupation with the naturalistic subject matter of atavism and historical trauma in print and film, including his Depression-era novel No Bed of Her Own (1932) as well as three movies he produced during World War II: Cat ...
Jul 2, 2024 · —NodB Wife to Mr. Milton by Robert Graves (reissue) [F] Grave's 1943 novel, reissued by the great Seven Stories Press, is based on the true story of the poet John Milton's tumultuous marriage to the much younger Mary Powell, which played out amid the backdrop of the English Civil War. E.M. Forster once called this one "a thumping good read."
In 1932, he wrote the best-selling pulp novel No Bed of Her Own, which was later used for the film No Man of Her Own, [4] with Clark Gable and Carole Lombard. In 1933, Lewton clandestinely published Grushenka: Three Times a Woman, an erotic novel whose publication would have subjected Lewton to criminal penalties given the mores of the time.
Jan 1, 2006 · This is a true social document and, though it may have been marketed as "racy" and "steamy", it might be closer to the mark to describe No Bed of Her Own as ahead of its time in its willingness to treat what were then taboo subjects with honesty and compassion.
- Val Lewton
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Apr 3, 2006 · Lewton's writing is spare, clever, and artful, and his heroine, Rose, is pitiful without being pathetic: her slippery slide from stenographer to prostitute is frightening and tragic without being manipulative.
