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      • Edmund Lee of the South China Morning Post gave the film 3.5/5 stars. He wrote, " Mad World is not quite the profound reflection of reality its makers intended it to be, but despite its flaws this is a brave film."
      en.wikipedia.org/wiki/Mad_World_(film)
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  2. Oct 1, 2022 · The mental health stigma shown in Mad World reveals how many perspectives that breed stereotypes, prejudice, and discrimination, stem from wilful ignorance in a fast-paced society unwilling to allow the time and space to understand others.

  3. Mad World. 2016 1h 41m Drama CTA List. 67% Tomatometer 6 Reviews 67% Popcornmeter Fewer than 50 Ratings. A bipolar man, formerly a financial analyst, is placed in the custody of his truck-driver...

    • (6)
    • Shawn Yu Man-Lok
    • Chun Wong
    • Drama
  4. Mad World follows the broken perspective of Tung, a man suffering from Bipolar Disorder in Hong Kong who is released from a mental institution and forced to integrate once more into society and the shattered life he's left behind.

  5. Mad World (Cantonese: 一念無明) is a 2016 Hong Kong drama film directed by Wong Chun and starring Shawn Yue, Eric Tsang, Elaine Jin and Charmaine Fong. It is Wong's directorial debut after winning the First Feature Film Initiative.

    Award Ceremony
    Category
    Recipients
    Result
    Won
    Nominated
    Wong Chun
    Won
    Hong Kong Film Directors Guild Awards
    Best New Director
    Wong Chun
    Won
  6. Apr 13, 2017 · Wong Chun’s Mad World depicts the harrowing consequences of stigmas about mental illness but fails to engage with the reality of mental illness in favour of an uplifting family narrative where love is just as good as medication.

  7. May 25, 2017 · Mad World (2016) Review. By Martin Sandison. The name Eric Tsang conjures up images of Golden Harvest comedies like My Lucky Stars (I’ll never forget the button mushroom joke) or his magnificent turn as gang boss Hon Sam in Infernal Affairs and it sequel.

  8. May 15, 2017 · Mad World is far from perfect — it’s a first film, and it shows sometimes, particularly in Fong’s overwrought and misguided zealot and an overabundance of flashbacks — but against a cinema landscape dominated by crass comedy, genre gore and PRC-approved historical epics, it’s a breath of fresh, humanitarian, locally voiced air.

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