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- Copyright Status Public domain in the USA.
www.gutenberg.org/ebooks/57638
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Publication place. France. The Charterhouse of Parma (French: La Chartreuse de Parme) is a novel by French writer Stendhal, published in 1839. [ 1 ] Telling the story of an Italian nobleman in the Napoleonic era and later, it was admired by Balzac, Tolstoy, André Gide, Lampedusa, Henry James, and Ernest Hemingway.
- Stendhal
- 1839
Aug 4, 2018 · "The Chartreuse of Parma" by Stendhal is a historical novel written in the early 19th century. Set against the backdrop of the tumultuous Napoleonic era in Italy, it follows the life of its protagonist, Fabrizio del Dongo, as he navigates a world filled with political intrigue, romantic escapades, and personal ambition.
- Stendhal, 1783-1842
- La Chartreuse de Parme. English
- Loyd, Mary, Lady, 1853-1936
The books in this collection are in the public domain and are free to use and reuse. Credit Line: Library of Congress. More about Copyright and other Restrictions. For guidance about compiling full citations consult Citing Primary Sources.
The Charterhouse of Parma, novel by Stendhal, published in French as La Chartreuse de Parme in 1839. It is generally considered one of Stendhal’s masterpieces, second only to The Red and the Black, and is remarkable for its highly sophisticated rendering of human psychology and its subtly drawn.
- The Editors of Encyclopaedia Britannica
The Charterhouse of Parma (French: La Chartreuse de Parme) is a novel by French writer Stendhal, published in 1839. [1] Telling the story of an Italian nobleman in the Napoleonic era and later, it was admired by Balzac, Tolstoy, André Gide, Lampedusa, Henry James, and Ernest Hemingway.
Aug 4, 2018 · Stendhal did not taste literary success in any degree whatever until, in 1839, and at the age of fifty-six, he produced “La Chartreuse de Parme.” This novel gave him fame, but he did not long enjoy it.
LA CHARTREUSE DE PARME: IRONICAL AMBIGUITY CRITICS of Stendhal tend to agree that in his two chief novels he is protesting against a society which prevents his "justi-fied" characters from being better than they are. It is true that he was a protestant in politics. He was no republican, although a
