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Oct 31, 2019 · The Kill Team. “The Kill Team,” writer/director Daniel Krauss’ dramatization of actual wartime atrocities by U.S. soldiers in Afghanistan, is lean, sincere, impassioned filmmaking, yet it fails to leave as much of an impression as it clearly wants to. Part of the problem is that the movie, while focusing on unique events, takes a form ...
Rated: 7/10 May 19, 2022 Full Review Joanne Laurier World Socialist Web Site By contrast, the new fiction film tends to suggest that the "Kill Team" was an aberrational exception in America's ...
- (50)
- Dan Krauss
- R
- Nat Wolff
English. Box office. $415,772 [1] The Kill Team is a 2019 American war drama film written and directed by Dan Krauss. It is a fictionalized adaptation of the Maywand District murders, which were also explored by Krauss's 2013 documentary of the same name. [2] It stars Alexander Skarsgård, Nat Wolff, Rob Morrow, Adam Long, Jonathan Whitesell ...
Oct 23, 2019 · A remake of his own documentary, Dan Krauss' "The Kill Team" is a thriller about the moral compromises that led U.S. Soldiers to kill civilians. In 2001, the United States began to wage the ...
The Kill Team: Directed by Dan Krauss. With Nat Wolff, Alexander Skarsgård, Adam Long, Jonathan Whitesell. A young American soldier in Afghanistan is disturbed by his commanding officer's behavior and is faced with a moral dilemma.
- (7.8K)
- Action, Biography, Drama
- Dan Krauss
- 2019-10-25
This is a movie about cowards armed with state-of-the-art gear who shoot unarmed civilians and feel like heroes. This is a movie about innocence, trust, and how you can quickly lose both when you become "part of something bigger". No Oscar-winning material, but a highly commendable and recommendable movie.
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Oct 25, 2019 · (Mauro Lanari) "War movie, but not too much, thriller, without ever exceeding, and distorted formation novel. Many identities for 'The Kill Team', unfortunately not enough coagulated in a single, powerful story. It turns out, instead, from this mix, a paradox: the multifacetedness of the film is its weak point" (Andrea Giovalè).
