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- On review aggregator Rotten Tomatoes, the film has an approval rating of 87% based on 55 reviews, with an average of 7.2/10. The site's critical consensus reads, "A coming-of-age story with a timely twist, Yellow Rose offers a fresh -- and sweetly rewarding -- perspective on the immigrant experience."
en.wikipedia.org/wiki/Yellow_Rose_(2019_film)
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A coming-of-age story with a timely twist, Yellow Rose offers a fresh -- and sweetly rewarding -- perspective on the immigrant experience. Read Critics Reviews. TOP CRITIC. Rated: 3/5 • Dec 23 ...
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- Diane Paragas
- PG-13
- Eva Noblezada
Oct 9, 2020 · Parents need to know that Yellow Rose is a poignant drama about a Filipina American teenager whose dreams of becoming a country music singer seem thwarted when her undocumented mother is detained by Immigration and Customs Enforcement. Starring acclaimed Broadway actress Eva Noblezada as main character Rose,….
- Diane Paragas
- Sandie Angulo Chen
- Eva Noblezada, Lea Salonga, Dale Watson
Poignant, powerfully performed tribute to country music. Full Review | Original Score: 4/5 | Oct 13, 2020. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for...
A small-town Texan teen, Rose Garcia (the Broadway performer Eva Noblezada) lives in a humble roadside motel with her mother, harboring big dreams. In the privacy of her bedroom, she croons ...
Yellow Rose is a 2019 American-Filipino musical drama film co-written and directed by Diane Paragas. It is produced by Cecilia R. Mejia, Diane Paragas, Rey Cuerdo, Orian Williams, and Jeremiah Abraham. The film stars Eva Noblezada, Dale Watson, Princess Punzalan, and Lea Salonga.
Oct 8, 2020 · ‘Yellow Rose’ Review: Heartfelt Country Music Drama Follows Undocumented Teen with Big Talents. Diane Paragas' film was a festival circuit smash, and for good reason: the Eva Noblezada-led...
Oct 9, 2020 · Guitar in hand and cowboy hat on her head, 17-year-old Rose Garcia (Eva Noblezada) embodies biculturalism. An undocumented Filipino-American with a passion for country music, she sings of not belonging, of being a “velvet chair in a dusty saloon.”
