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  1. Ela Bittencourt The L Magazine It might be that Marie still waits for a true incarnation, but Jacquot's pushing her beyond likeability is refreshing.

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      It might be that Marie still waits for a true incarnation,...

  2. Jul 12, 2012 · As directed by France’sveteran Benoît Jacquot, “Farewell, My Queen” has a potent emotional component as well, involving the tangled emotional lives of three beautiful women: Marie...

  3. Marie Antoinette kisses the disguised Sidonie, a kiss meant for the duchesse de Polignac, in a cruel twist of Sidonie's own feelings for the queen. In the book, however, there is no cruel confrontation between Sidonie and the Queen. The Queen lays out her request, and Sidonie accepts.

    • Does Marie wait for a true incarnation in Farewell my Queen?1
    • Does Marie wait for a true incarnation in Farewell my Queen?2
    • Does Marie wait for a true incarnation in Farewell my Queen?3
    • Does Marie wait for a true incarnation in Farewell my Queen?4
    • Does Marie wait for a true incarnation in Farewell my Queen?5
  4. She builds a relationship with the Queen, which may mostly be in her own imagination, but she convinces herself of utter devotion to the Queen. She denies any relationship with the queen to her friends, as if she is keeping whatever it is between the queen and herself a big secret.

  5. Farewell, My Queen (French: Les Adieux à la reine) is a 2012 French drama film directed by Benoît Jacquot and based on the novel of the same name by Chantal Thomas, who won the Prix Femina in 2002. It gives a fictional account of the last days of Marie Antoinette in power seen through the eyes of Sidonie Laborde, a young servant who reads ...

  6. Jul 17, 2012 · The queen (Diane Kruger) reclines in her private chamber, closely guarded over by her lady-in-waiting, Madame Campan (Noemie Lvovsky). She has apparently spent the night with Gabrielle de Polignac ( Virginie Ledoyen ), said to be her lover.

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  8. “Farewell, My Queen” isnt perfect, but it’s infinitely preferable to the last major film set in the late Bourbon court, Sofia Coppola’s “Marie Antoinette,” a misbegotten mistake that attempted to make the royal court a reflection of modern political foolishness by turning the characters into a bunch of bumbling airheads.