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  1. Apr 18, 2020 · The Hammer of God. Several years elapsed before Clarke agreed to write another short story, “The Hammer of God,” for Time magazine’s special issue Beyond the Year 2000, published in the fall of 1992. In this tale, Clarke wryly combines paradoxes to shape his whimsical yet ironic version of efforts to deflect an asteroid’s possible ...

  2. clarkefoundation.org. Sir Arthur Charles Clarke CBE FRAS (16 December 1917 – 19 March 2008) was a British science fiction writer, science writer, futurist, [ 3 ] inventor, undersea explorer, and television series host. He co-wrote the screenplay for the 1968 film 2001: A Space Odyssey, widely regarded as one of the most influential films of ...

  3. Jan 1, 2001 · The Hammer of God by Arthur C. Clarke is a science fiction novel set in the year 2109. The novel can be divided into three sections comprising several short chapters. The first section is about meteors and their role in the universe. This section mentioned some major meteor events that happened in the past, and their impact on earth.

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  4. Film, TV or theatrical adaptations. While filmmaker Steven Spielberg optioned the rights to The Hammer of God for film production, the resultant movie, Deep Impact (1998), was dissimilar enough to the book that Clarke received no on-screen credit for the movie. References or allusions References to other works

  5. Discussion of themes and motifs in Arthur C. Clarke's The Hammer of God. eNotes critical analyses help you gain a deeper understanding of The Hammer of God so you can excel on your essay or test.

  6. Social Concerns. With The Hammer of God, Clarke revisits his usual broad interest in the place of humanity in the solar system and the universe with a particular twist, portraying the possible ...

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  8. Suddenly they find themselves on the most important mission in human history—a mission whose success may require the ultimate sacrifice.Praise for The Hammer of GodClarke is still at the top of his game.”—The Detroit News“As good as anything he has written . . .

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