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More generally, Devin Orgeron states that American road movies were based on post-WW II European cinema's own take on the American road film approach, showing a mutual influence between US and European filmmakers in this genre.
Apr 28, 2017 · “Coming at things from the more constricted contexts of Europe, the European road movie has often been a bit circumspect about the capacity for ‘freedom’ so often evoked in the American road ...
Where American road movies are frequently about escape, freedom and lawlessness, so often European examples are journeys into the continent's fractious political history, where buried memories from the past are traversed and crisscrossed along with national boundaries".
Dec 10, 2013 · In the decades to come European luminaries like Henri-George Clouzot, Jean-Luc Godard and Wim Wenders would make road pictures, but this is primarily an American movie genre.
Inflected by westerns and the Depression, the road movie, with its roaming hippies and young lovers on the run, seems distinctly American. There are, however, international traditions. Some road movies from the European art cinema of the 1950s and 1960s examine spiritual identity rather than rebellion, crime, or the spectacle of driving cars.
While drag-racing through the American Southwest in a Chevrolet 150, a driver and his mechanic cross paths with an enigmatic hitchhiker and the tall-tale-spinning driver of a GTO. Director Monte Hellman Stars James Taylor Warren Oates Laurie Bird
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Road movies from Latin America share traits with the European approach. Generally speaking, Latin American road movies focus on a community of characters rather than star individuals, on mature quests rather than young outlaw narratives, and on national issues related to North-South and urban-rural divides.
