8.0/10 (1522 reviews)
Watch Relative Strangers on Acorn TV. Renews at £4.99/month after trial. Cancel anytime.
Search results
Jan 1, 2004 · The abiding terror in Alfred Hitchcock’s life was that he would be accused of a crime he did not commit. This fear is at the heart of many of his best films, including “Strangers on a Train” (1951), in which a man becomes the obvious suspect in the strangulation of his wife.
- The Meeting
- The Party
- The Carousel Crash
While the train carriage setting is a convenient meeting place for two strangers, it also allows Hitchcock to incorporate the recurring motif of crisscrossing train tracks, mirroring the paths of his two characters. Unlike the dialogue-heavy opening of Mojave, the carefully paced early scenes in Strangers on a Train present an ominous encounter tha...
If the film is a dance of death, then the party scene is a integral movement in the second act (although the scene features no actual dancing). Here, Hitchcock demonstrates the importance of the two characters’ proximity to one another, expanding on the premise of a dance to reveal its dual nature as a game also. It serves as a reminder to both the...
The fateful meeting on the train culminates with a crash on a carousel. In order to thwart Bruno’s attempt to use the lighter to frame him by planting it at the crime scene in the fair ground, Guy races to complete his tennis match. Hitchcock intercuts between the sequences of the two men setting about their respective tasks, adding a sense of game...
One of the most popular psychological crime thrillers that Hitchcock ever made is definitely Strangers on a Train, the master’s adaptation of crime novelist Patricia Highsmith’s debut novel that hit theaters back in 1951.
Oct 17, 2020 · After the release of Strangers on a Train, back when moviegoers sent their feedback directly to the head of the studio, Jack Warner’s office received a very mixed response from audiences. Some people lambasted the sordid tone of the story, while just as many praised it.
Jun 25, 2001 · Hitchcock's favourite device of an ordinary man caught in an ever-tightening web of fear plunges Guy into one of the director's most fiendishly effective movies.
Overall Strangers on a train is a good movie, with amazing cinematography, suspense and a good plot. Obviously it is a classic, which might be the reason why reviews here are so overly positive. Brunos character is well thought and acted out.
People also ask
Is Strangers on a train a good movie?
What is the plot of Strangers on a Train?
Is 'Strangers on a train' a psychological study?
Why should I donate to Strangers on a train?
Like most Hitchcock work, the movie is rich in psychological complexities, using probing facial shots as the entry points, emotions and drilling tools, and ordinary objects as the microscopes toward uncovering hidden fidelities.
