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      • Border” is far more accomplished and complex than Abbasi’s 2016 debut, the underdeveloped psychological horror exercise “Shelley.” Indeed, some might even say that he over-eggs the pudding this time, but now the various themes and backstory actually add up and are served perfectly by the visual and aural clues.
      variety.com/2018/film/reviews/border-review-grans-1202807503/
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  2. Oct 25, 2018 · Border. NYT Critic’s Pick. Directed by Ali Abbasi. Fantasy, Romance, Thriller. R. 1h 50m. By Glenn Kenny. Oct. 25, 2018. Tina works security at a Swedish port. As passengers walk up a long...

    • Ali Abbasi
  3. May 11, 2018 · A Swedish customs officer with a special talent for detecting contraband must ultimately choose between good and evil in the idiosyncratic thriller “ Border ,” an exciting, intelligent mix of...

  4. Oct 26, 2018 · By contrast: even the most open-minded viewers may have difficulty relating to the two lead protagonists in "Border," a cynical Swedish romantic-fantasy that follows estranged border patrolwoman Tina (Eva Melander) and her unconvincing attraction to Byronic stranger Vore (Eero Milonoff).

  5. Oct 26, 2018 · Customs officer Tina is known for her extraordinary sense of smell. It's almost as if she can sniff out the guilt on anyone hiding something. But when Vore, a suspicious-looking man, walks past ...

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    • Ali Abbasi
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    • Eva Melander
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  6. The two leads are very good, conveying a certain weirdness that is needed for their roles and it has some good moments, including an unforgettable sex scene that makes this movie very unique. 5 out of 5 found this helpful.

  7. When a border guard with a sixth sense for identifying smugglers encounters the first person she cannot prove is guilty, she is forced to confront terrifying revelations about herself and humankind.

  8. Sep 15, 2022 · In this coming-of-age film, we see how perspective is different with each experience and how difficult it can be to create a truth of your own, to fully live in your world without fear. Border is a film that’s orbital in nature, combining many facets of living beings and examines the way we engage with one another and more importantly, ourselves.

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