Yahoo Web Search

Search results

  1. Jul 20, 2020 · Miklós Rózsa’s career as a composer was built on a fascinating dichotomy. Beginning in 1937, Rózsa produced some of the twentieth century’s most memorable and spacious film scores, including the Arabian fantasy The Thief of Bagdad (1940), the Alfred Hitchcock film noir psychological thriller Spellbound (1945), and the epic historical drama Ben-Hur (1959).

    • Ben-Hur
    • The Thief of Bagdad
    • The Lost Weekend
    • Spellbound
    • A Double Life
    • El CID
    • The Four Feathers
    • Recordings

    A sweeping score for a film of epic proportions, this music is filled with Roman, Greek, and Jewish elements. Rózsa conducted the 100-piece MGM Symphony Orchestra during twelve recording sessions which stretched over 72 hours. The biblical drama unfolds with a myriad of themes and the reinforcement of a mighty pipe organ underscoring the appearance...

    This magical Technicolor Arabian fantasy film vaulted Rózsa to prominence as a composer. Filled with leitmotifs, the score has been described as “foreground rather than background music.” Here is the beautiful and expansive love theme:

    Miklós Rózsa’s concert music is filled with Hungarian folk elements. At moments, these sounds emerge in the score for this psychological drama, directed by Billy Wilder and starring Ray Milland and Jane Wyman. (4:08 in the clip below may remind you of Bartók’s hellish The Miraculous Mandarin). When the film was previewed with a temporary soundtrack...

    Rózsa’s distinctive film noir style is equally evident in the music for this psychological mystery thriller, directed by Alfred Hitchcock. Rózsa once said, “Alfred Hitchcock didn’t like the music—said it got in the way of his direction. I haven’t seen him since.” (Interestingly, Hitchcock also resisted the use of music in the shower scene of Psycho...

    This dark film noir drama, starring Ronald Colman, tells the story of an actor’s descent into insanity. His “double life” is a blur between reality and the imaginary roles he plays on stage. This duality is evident throughout Rózsa’s Academy Award-winning score. The bustling forward motion in this excerpt seems to anticipate the quirkiness of some ...

    The lamenting beauty and far-off, exotic mystery of medieval Spain can be heard in this haunting love theme. In preparation for the score, Rózsa researched Spanish folk music and made use of the guitar and tambourine. It would be the composer’s final film score to be created under MGM contract.

    This British Technicolor adventure film, directed by Zoltan Korda, is one of Rózsa’s earliest scores. Chronicling British military adventures in Africa during the reign of Queen Victoria, the story revolves around a man who is accused of cowardice after resigning on the eve of his regiment’s departure. This excerpt (Sunstroke and River Journey) beg...

    Ben-Hur (complete film score), Nic Raine, The City of Prague Philharmonic Orchestra and Chorus Amazon
    Miklós Rózsa: A Centenary Celebration Amazon
    Miklós Rózsa Conducts His Epic Film Scores Amazon
    A Double Life (Suite from the Film) Amazon
  2. Miklos Rozsa - Hollywood Spectacular soundtrack from 1985, composed by Miklos Rozsa. Released by Bay Cities in 1985 (BCD 3028) containing music from Sodom and Gomorrah (1962), King of Kings (1961), Ben-Hur (1959), The Story of Three Loves (1953), Young Bess (1953), Julius Caesar (1953).

  3. Miklós Rózsa Conducts His Epic Film Scores – The Hollywood Bowl Symphony Orchestra (2004) Epic film music composed and conducted by Hungarian-born composer M...

  4. Tadlow Music and The City of Prague Philharmonic Orchestra present EPIC HOLLYWOOD, The Music of Miklos Rozsa featuring Lucie Svehlova on violin.Themes and Su...

    • 2 min
    • 4.4K
    • The City of Prague Philharmonic Orchestra
  5. Miklós Rósza: Hollywood Spectacular by Rainer Padberg, Miklós Rózsa released in 1992. Find album reviews, track lists, credits, awards and more...

  6. Composed By – Miklós Rózsa; Conductor – Rainer Padberg; Engineer – Bob Auger; Executive-Producer – Bruce Kimmel; Liner Notes – Tony Thomas (5) Performer – The Royal Philharmonic Orchestra; Producer – Christopher Palmer; Project Manager – Nick Redman