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    • Olga Khokhlova Biography - Facts, Childhood, Family Life ...
      • He introduced Olga to his family. His mother was quite apprehensive of her son's decision to marry a non-Spanish girl. To convince her, Picasso gifted her a painting of Olga in which she dressed as a Spanish girl. The painting is popularly known as 'Olga Khokhlova in Mantilla.'
      www.thefamouspeople.com/profiles/olga-khokhlova-49219.php
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  2. He followed the ballet troupe on a tour of Spain, where he painted one of the most famous portraits of Khokhlova—in a traditional Spanish lace mantilla (Picasso actually used an ordinary ...

  3. Khokhlova was isolated and reliant on Picasso, having become trapped in Spain without a passport. At this time, Picasso painted his first portrait of her as a Spanish girl (Olga Khokhlova in Mantilla). After waiting six months for a visa, Khokhlova returned with Picasso to Paris.

  4. Comparing the painting with this photograph shows how realistic the portrait is of Olga Khokhlova. Picasso and Ms Khokhlova met in 1917, when he was asked to create the designs for a then-radical...

  5. For some reason, it's not customary to speak well of Picasso's first wife. Many of the artist's friends openly disliked Olga Khoklova. And the artist himself caused a lot of brickbat.

  6. To convince her, Picasso gifted her a painting of Olga in which she dressed as a Spanish girl. The painting is popularly known as 'Olga Khokhlova in Mantilla.' Olga and Picasso lived in Spain with his family for a while, until she received her visa to France.

  7. Olga Khokhlova. Picasso really believed her to be his love forever. The evidence was a marriage settlement where all his paintings were to be divided equally between them. Having settled in Paris Olga furnished the house in a glamorous and luxurious manner, in the high of fashion.

  8. Picasso experimented with different approaches to discover the right image for her in his paintings and drawings. He first choose an Ingresque, classicist style as suiting Olga best of all, but which, as the relationship deteriorated, turned into a symbolic parody.

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