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- Tampopo is a strange and unique film that explores the roles of food and cinema in a satirical way, crossing class and cultural boundaries. The movie pays homage to American films, particularly Westerns and sports movies, using similar tropes and scenes to create a sense of parody and clever homage.
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Tampopo (タンポポ, Tanpopo, literally "dandelion") is a 1985 Japanese comedy film written and directed by Juzo Itami, and starring Tsutomu Yamazaki, Nobuko Miyamoto, Kōji Yakusho, and Ken Watanabe. The publicity for the film calls it the first " ramen Western ", a play on the term spaghetti Western.
Oct 4, 2023 · What is Tampopo about? Tampopo is a movie that tells the story of a struggling ramen shop owner named Tampopo. With the help of a truck driver named Goro, she embarks on a quest to create the perfect bowl of ramen and save her business.
Oct 20, 2016 · A gleefully sensual and inventive comedy, Tampopo was an art-house smash in 1987. Director Juzo Itami drew on American noirs and gangster films and Westerns and probably comic books, too, to come up with a quintessentially Japanese lark that blissed out audiences around the world.
Sep 23, 2023 · Tampopo is a strange and unique film that explores the roles of food and cinema in a satirical way, crossing class and cultural boundaries. The movie pays homage to American films,...
- Freelance Features Writer
When it comes to capturing the sensory pleasures of food on film, it’s hard to beat Juzo Itami’s mouthwatering 1985 “ramen western” Tampopo. A mix of wicked humor and surreal eroticism, this culinary odyssey follows a widowed noodle-shop owne…
- Goro
Tampopo: Directed by Jûzô Itami. With Tsutomu Yamazaki, Nobuko Miyamoto, Kôji Yakusho, Ken Watanabe. A truck driver stops at a small family-run noodle shop and decides to help its fledgling business. The story is intertwined with various vignettes about the relationship of love and food.
“Tampopo” is one of those utterly original movies that seems to exist in no known category. Like the French comedies of Jacques Tati, it’s a bemused meditation on human nature in which one humorous situation flows into another offhandedly, as if life were a series of smiles.