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- Yes, I was the producing director. I directed two episodes (‘Secret Sauce’ and ‘When Pubba Met Birdie’) and helped guide the rest.
thespinoff.co.nz/pop-culture/11-06-2021/the-parallels-were-freaky-toa-fraser-on-making-sweet-tooth-in-new-zealand-during-a-pandemic‘The parallels were freaky’: Toa Fraser on making Sweet Tooth ...
Toa Fraser (born 1975) is a New Zealand born playwright and film director, of Fijian heritage. His first feature film, No. 2, starring Ruby Dee won the Audience Award (World Dramatic) at the 2006 Sundance Film Festival.
Jun 11, 2021 · The director talks to David Farrier about the hit Netflix show, his mid-career pivot into TV, and why he chose to go public with his Parkinson's diagnosis.
- David Farrier
Winner of the World Cinema Audience Award at this year's Sundance and screened at Berlin, No. 2 has captured audiences both here and abroad. First-time director Toa Fraser, who adapted the script from his own play, talks with Dan Salmon about the film's success.
After enjoying early success as a playwright, Fraser's movie version of No.2 won acclaim, launching a career that has seamlessly combined local and international productions. In this memorable and philosophical interview, he discusses many topics, including;
Jun 16, 2022 · Most recently he has been working as the producing director of the Netflix hit series Sweet Tooth, shot here in Aotearoa and watched by over 60 million households around the globe. For his entire directing career, which started in 2005 in Mt Roskill, Toa Fraser has been battling Parkinson’s Disease, a degenerative brain disease for which ...
The producer, Matthew Metcalfe and I met a long time ago now; about seven years ago after I had made my first film Naming Number Two. He asked me to direct My Talks with Dean Spanley , which we made with Peter O’ Toole , Sam Neil l and Bryan Brown.
Apr 18, 2021 · Toa with Teine Sa directors Miki Magasiva and Anapela Polataivao. For budding young director Mario Faumui who was thrust into directing his first drama piece, Toa is a beacon of hope in the stressful oasis of film production.
