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      • Odds Against Tomorrow is the first noir with a black protagonist. It was the last time Wise shot black-and-white film in the standard aspect ratio, which "gave his films the gritty realism they were known for".
      www.allmovie.com/movie/odds-against-tomorrow-am39629
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  2. Odds Against Tomorrow is a 1959 American film noir produced and directed by Robert Wise and starring Harry Belafonte, Robert Ryan and Ed Begley. Belafonte selected Abraham Polonsky to write the script, which is based on a novel of the same name by William P. McGivern.

  3. Odds Against Tomorrow: Directed by Robert Wise. With Harry Belafonte, Robert Ryan, Shelley Winters, Ed Begley. In need of quick money, a fallen former cop recruits a hard-bitten ex-con and a debt-ridden nightclub singer to pull off a bank job.

    • (5.6K)
    • Crime, Drama, Thriller
    • Robert Wise
    • 1959-11
  4. Jan 22, 2024 · Of the trio of robbers who attempt a bank robbery in the film, one is Black (Belafonte), the other two are White, and one of the latter is terribly racist… a factor that plays into how the caper ultimately plays out. New York City. Dave Burke (Ed Begley) is a disgraced former cop who needs money.

  5. Feb 9, 2018 · Odds Against Tomorrow takes a premise common to noir — three diametrically opposed men, bound together by desperation despite simmering animosity, plan a heist that seals their doom — but...

    • Angelica Jade Bastién
    • Critic
  6. Wise's black and white film was deliberately shot to appear like a European film, and French cinematographer Joseph C. Brun was hired for that purpose.

  7. In 1996, the Writers Guild of America restored Polonsky's credit under his real name. Odds Against Tomorrow is the first noir with a black protagonist. It was the last time Wise shot black-and-white film in the standard aspect ratio, which "gave his films the gritty realism they were known for".

  8. Jan 20, 2024 · Odds Against Tomorrow is a vital entry in the noir canon. Directed by legend Robert Wise and produced by star Harry Belafonte’s HarBel Productions, the gritty look at racial tension is also one of cinema’s most important films about prejudice.

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