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- The film is considered by many filmgoers, critics and scholars to be one of Hitchcock's best and one of the greatest movies ever made. The film received four Academy Award nominations and was ranked No. 42 on AFI's 100 Years...100 Movies list and No. 48 on the 10th-anniversary edition.
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Is 'Rear Window' Hitchcock's Best Film?
Feb 20, 2000 · Rear Window. The hero of Alfred Hitchcock's "Rear Window" is trapped in a wheelchair, and we're trapped, too--trapped inside his point of view, inside his lack of freedom and his limited options. When he passes his long days and nights by shamelessly maintaining a secret watch on his neighbors, we share his obsession.
Why Rear Window is still a masterpiece thriller 65 years later. Discussion. Just finished rewatching Hitcock’s film and it’s outstanding how good it holds up since 1954. In my opinion, its biggest virtue is the setting.
Alfred Hitchcock's "Rear Window" develops such a clean, uncluttered line from beginning to end that we're drawn through it (and into it) effortlessly. The experience is not so much like watching a movie, as like ... well, like spying on your neighbors.
- Pure Cinema
- Confined Thrills
- Windows Into Romance
- Loving Thy Neighbor
- Rear Window: in Conclusion
Obviously, beyond the elements of soundtrack, Rear Window develops into an immersive world and Alfred Hitchc*ck expertly inserts us directly into the environment to the extent that we have no choice but to become involved in the whole ordeal. We are accomplices, if you will, in this viewing party of Jimmy Stewart’s. It truly is an exhibition in the...
Rear Window’s A-Plot is a harrowing mystery thriller that we watch unfold with a systematic unraveling that’s unnerving in part because Hitchc*ck has orchestrated it all in a limited space. Furthermore, he has handicapped his protagonist and the outsiders coming in are constantly causing us to second guess or reevaluate our assumptions, be they the...
In particular, are the underlining themes of romance. This is a film about love in all of its many facets, with each character or couple reflecting a certain permutation of what romantic love looks like. The love stories are playing out in each compartment of the apartment complex. Miss Torso (Georgine Darcy), the queen bee with the pick of the dro...
That leads us to another area of discussion. There’s a bit of a moral commentary present though Hitchc*ck doesn’t seem all that interested in those conclusions per se as much as he likes manipulating them for the sake of his drama. And yet, like Vertigofour years later, there is this unnerving sense that he is tapping into some of humanity’s darkes...
Far from peering in at other people and staying anonymous, it seems like it involves reaching out to others. That entails being vulnerable and candid – transparent even – so others feel comfortable entering into your life. Like Stella says, sometimes people need to go on the outside and look in for a change. If nothing else that breeds empathy. Of ...
With James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter. A wheelchair-bound photographer spies on his neighbors from his Greenwich Village courtyard apartment window and, despite the skepticism of his fashion-model girlfriend, becomes convinced one of them has committed murder.
- (525K)
- Mystery, Thriller
- Alfred Hitchcock
- 1954-09-01
In REAR WINDOW, Jeff (James Stewart), a photojournalist, is confined to a wheelchair after breaking his leg shooting a car race. Now he recuperates in his Greenwich Village flat, getting occasional visits from his gorgeous model-girlfriend Lisa ( Grace Kelly ) and putting up with a visiting nurse.
Rear Window is a 1954 American mystery horror film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrich's 1942 short story It Had to Be Murder. Originally released by Paramount Pictures, the film stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, and Raymond Burr.
