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Henry Jaglom—the innovative filmmaker, director, and screenwriter—has remained independent of the so-called Hollywood studio system by ensuring that all his films, on the advice of Orson Welles, “Never need Hollywood.”
Jaglom began his film-making career working with Jack Nicholson on the editing of Hopper's Easy Rider (1969), and made his writing/directing debut with A Safe Place (1971), starring Tuesday Weld, Nicholson, and Welles.
Nov 20, 2020 · But mostly, I write them completely, very detailed and thorough, then encourage the actors in each scene after they have done the lines as written to keep going, in their own words, and express...
May 25, 2024 · The ‘New Hollywood‘ movement was responsible for introducing a wave of actors and filmmakers who would eventually go on to become renowned as legends of cinema, but Henry Jaglom didn’t quite make the cut despite being both an actor and a filmmaker held in the highest of esteem by his peers.
Oct 17, 2012 · Henry Jaglom is one of those directors who people love or hate; indifference is hard to imagine. The divisive filmmaker’s work is talky—the dialogue is often improvised—and highly idiosyncratic, not unlike his characters.
Apr 29, 2014 · Jaglom’s style is to weave seamlessly between reality and make-believe. A hallmark of his films is that his characters “feel too much” and often speak or behave inappropriately—Moxie frequently discusses her period publically.
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Henry Jaglom is an absolutely unique voice in contemporary American cinema. In a cinematic landscape in which most films are interchangeable, and in which few films have a distinctive style or vision, his films are utterly his own and resemble no one else's. Consequently, he has tended to divide viewers - some people love his films and some ...
