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Principal photography for The Producers began on May 22, 1967. Filming had to be done in 40 days on a $941,000 budget, and Brooks managed to fit both requests. [6] The primary location was the Chelsea Studios in New York City, where the musical version (2005) was also shot. [24]
- Estelle Winwood
She moved to the U.S. in 1916 and made her Broadway début in...
- Christopher Hewett
Hewett was born in Worthing, Sussex [1] to Christopher...
- Kenneth Mars
Kenneth Mars (April 4, 1935 – February 12, 2011) [1] was an...
- Andreas Voutsinas
Andreas Voutsinas (Greek: Ανδρέας Βουτσινάς; 22 August 1930...
- Renée Taylor
Taylor acted with improv groups in the 1950s. [9] She worked...
- Film
The Producers is a 2005 American musical comedy film...
- William Hickey
William Edward Hickey (September 19, 1927 – June 29, 1997)...
- Estelle Winwood
The Producers: Directed by Mel Brooks. With Zero Mostel, Gene Wilder, Dick Shawn, Kenneth Mars. A stage-play producer devises a plan to make money by producing a sure-fire flop.
- (61K)
- Comedy, Music
- Mel Brooks
- 1968-11-10
In the history of film and television, accidents have occurred during shooting, such as cast or crew fatalities or serious accidents that plagued production. From 1980 to 1990, there were 37 deaths relating to accidents during stunts; 24 of these deaths involved the use of helicopters. [1]
- Overview
- Plot
is a 1967 American satirical black comedy film written and directed by Mel Brooks in his directorial debut and starring Zero Mostel, Gene Wilder, Dick Shawn, and Kenneth Mars. The film is about a theater producer and his accountant who, as part of a scam, have to stage the worst stage musical they can create. They eventually find one centering arou...
Max Bialystock (Zero Mostel) is an aging, fraudulent, corruptible, and greedy Broadway producer past his prime who ekes out a hand-to-mouth existence romancing lascivious, wealthy elderly women in exchange for money for a "next play" that may never be produced. Accountant Leopold "Leo" Bloom (Gene Wilder), a nervous young man prone to hysterics, arrives at Max's office to audit his accounts and discovers a $2,000 discrepancy in the accounts of Max's last play. Max persuades Leo to hide the relatively minor fraud, and while shuffling numbers, Leo has a revelation—a producer can make a lot more money with a flop than a hit by overselling shares in the production, because no one will audit the books of a play presumed to have lost money. For this same reason, no duped investor will be aware of the many others, thus protecting the pair from charges of fraud. Max instantly puts this scheme into action. They will oversell shares on a massive scale and produce a play that will close on opening night, thus avoiding payouts and leaving the duo free to flee to Rio de Janeiro with the profits. Leo is afraid such a criminal venture will fail and they will go to prison, but Max eventually convinces him that his current drab existence is no better than prison.
The partners find the ideal play for their scheme: Springtime for Hitler: A Gay Romp with Adolf and Eva at Berchtesgaden.It is "a love letter to Hitler" written in total sincerity by deranged ex-Nazi Franz Liebkind (Kenneth Mars). Max and Leo persuade Liebkind to sign over the stage rights, telling him they want to show the world a positive representation of Hitler. To guarantee the show is a flop, they hire Roger De Bris (Christopher Hewett), a director whose plays "close on the first day of rehearsal." The part of Hitler goes to a charismatic but barely coherent flower power hippie named Lorenzo Saint DuBois, also known as L.S.D. (Dick Shawn), who had mistakenly wandered into the theater during the casting call. Max sells 25,000% of the play to his regular investors. At the theatre on opening night, Max tries to ensure a truly terrible review by attempting to bribe the critic who came to see the show. As expected, the man is outraged and hurls the money Max wrapped around the tickets he gave him at Max's feet. Max and Leo sneak off to a bar across the street to wait for the audience to storm out once they actually see the show.
The play opens with a lavish production of the title song, "Springtime for Hitler", which celebrates Nazi Germany crushing Europe ("Springtime for Hitler and Germany/Winter for Poland and France"). The audience is horrified and rises en masse after the number, but at this point L.S.D. comes on stage as Hitler and they find his beatnik-like portrayal and constant misinterpretations of the story hilarious, construing the production as a satire. Meanwhile, L.S.D.'s portrayal of Hitler enrages and humiliates Franz, who—after dropping the curtain and rushing out on stage—confronts the audience and rants about the treatment of his beloved play. He is knocked out and removed from the stage, and the audience assumes that his rant was part of the act. To Max and Leo's shock and horror, Springtime for Hitler is declared a smash hit, which means that the investors will be expecting a larger financial return than can be paid out.
A gun-wielding Franz confronts Max and Leo, accusing them of breaking the "Siegfried Oath". He tries to shoot himself, but runs out of bullets. The three then decide to blow up the theater to end the production, but they are injured, arrested, tried, and found "incredibly guilty" by the jury. Before sentencing, Leo makes an impassioned statement praising Max for changing his life and being his friend while also referring to him as "the most selfish man I have ever met in my life". Max tells the judge that they have learned their lesson.
- 3 min
Jul 12, 2024 · The Producers is a 1967 film about producers Max Bialystock and Leo Bloom who fraudulently make money by producing a sure-fire flop. Written and directed by Mel Brooks.
The Producers is a 1967 American satirical black comedy film. It was written and directed by Mel Brooks, and stars Zero Mostel, Gene Wilder, Dick Shawn, and Kenneth Mars.
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The Producers is a 1967 American satirical dark comedy cult classic movie written and directed by Mel Brooks. The movie tells the story of a theatrical producer and an accountant who want to produce a Broadway musical, but they want it to fail.