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      • A box-office success, the film was nominated for several awards and won the Academy Awards for Best Original Dramatic Score and Best Original Song for the theme song "The Way We Were". It ranked at number six on AFI's 100 Years...100 Passions survey of the top 100 greatest love stories in American cinema.
      en.wikipedia.org/wiki/The_Way_We_Were
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  2. The Way We Were (1973) Rated PG. Barbra Streisand does it so well, it's almost unkind to wish for a change: She gives us bright, funny young girls who fall helplessly in love, in movies that seem to be about more than they are.

  3. The Way We Were is a 1973 American romantic drama film directed by Sydney Pollack and starring Barbra Streisand and Robert Redford. Arthur Laurents adapted the screenplay from his own 1972 novel of the same name, which was based on his college days at Cornell University and his experiences with the House Un-American Activities Committee .

  4. “The Way We Were” is a mushy throwback film to Old Hollywood, yet Pollack is informing us about the (non-)concerns of a rock-star lifestyle. The list of Oscar-winning tunes for best original song is stronger than you probably think.

  5. Jan 30, 2023 · The sixth movie on AFI’s list, “The Way We Were,” released in fall 1973, had its own bittersweet ending. At the box office, though, it was one of the most popular movies of the year. Its title song, powered by star Barbra Streisand, was Billboard’s top single of 1974.

  6. Actually, "The Way We Were" is both, and happily so. It's a classy romantic period drama about a 1940s wallflower in New York who blooms in love with her ex-jock boyfriend (an old acquaintance from their college days), and the movie overflows with star-power.

  7. The Way We Were is not politically confrontational enough for its story of ideological opposites falling in love to feel authentic, but Barbra Streisand and Robert Redford's beaming star...

    • (36)
    • Romance
    • PG
  8. Oct 19, 1973 · With Barbra Streisand, Robert Redford, Bradford Dillman, Lois Chiles. During post-WWII McCarthyism, a diametrically opposed couple come together only to find out that genuine friendship and physical attraction is not enough to overcome fundamental societal beliefs.

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