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  1. en.wikipedia.org › wiki › Ad_ReinhardtAd Reinhardt - Wikipedia

    Adolph Friedrich Reinhardt (December 24, 1913 – August 30, 1967) was an abstract painter active in New York for more than three decades. He was a member of the American Abstract Artists (AAA) and part of the movement centered on the Betty Parsons Gallery that became known as abstract expressionism. He was also a member of The Club, the ...

  2. www.moma.org › artists › 4856Ad Reinhardt | MoMA

    Born and raised in New York, Reinhardt studied art history and philosophy at university in the 1930s, and began painting around 1936. His aesthetic and conceptual foundations include Cubism, Constructivism, and the austere compositions of de Stijl co-founder Piet Mondrian.

  3. Ad Reinhardt was a prominent artist, writer, critic, and educator who straddled Abstract Expressionism, geometric abstraction, and also early Minimalism.

    • American
    • December 24, 1913
    • Buffalo, New York
    • August 30, 1967
  4. Ad Reinhardt was an Abstract painter active in New York beginning in the 1930s and continuing through the 1960s. He was a member of the American Abstract Artists and was a part of the movement centered around the Betty Parsons Gallery that became known as Abstract Expressionism.

    • American
    • December 24, 1913
    • Buffalo, New York, United States
    • August 30, 1967
  5. Adolph Friedrich Reinhardt (December 24, 1913 – August 30, 1967) was an abstract painter active in New York for more than three decades. He was a member of the American Abstract Artists (AAA) and part of the movement centered on the Betty Parsons Gallery that became known as abstract expressionism.

  6. Ad Reinhardt was one of the few members of the American Abstract Artists who began his artistic career as an abstract painter. The son of socialist parents, Reinhardt also had leftist sympathies and belonged to the Artists' Union and the left wing American Artists' Congress.

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  8. Ad Reinhardt (1913–1967) is among the most significant American artists of the twentieth century. His paintings encourage the viewer’s active engagement in the act of looking at and experiencing “art as art.”

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