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Wong Kar-wai BBS (born 17 July 1958) is a Hong Kong film director, screenwriter, and producer. His films are characterised by nonlinear narratives, atmospheric music, and vivid cinematography involving bold, saturated colours.
Wong Kar-wai (born 17 July 1958) is a Hong Kong film director, screenwriter and producer. He began his career as a screenwriter in 1982, then made his directoral debut in 1988. As of 2019, he has directed 10 feature films. He has also worked as producer on several films he did not direct.
YearTitleCredited As(director)Credited As(writer)2021NoNo2018NoNo2016NoYes2016NoNoKar-Wai Wong. Director: The Grandmaster. Wong Kar-wai (born 17 July 1956) is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylised, emotionally resonant work, including Ah fei zing zyun (1990), Dung che sai duk (1994), Chung Hing sam lam (1994), Do lok tin si (1995), Chun gwong cha sit ...
- January 1, 1
- 1.83 m
- Shanghai, China
'Flowery Years') is a 2000 romantic drama film written, produced and directed by Wong Kar-wai. A co-production between Hong Kong and France, it portrays a man ( Tony Leung) and a woman ( Maggie Cheung) in 1962 whose spouses have an affair together and who slowly develop feelings for each other.
Wong Kar-wai (born 17 July 1956) is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylised, emotionally resonant work, including Ah fei zing zyun (1990), Dung che sai duk (1994), Chung Hing sam lam (1994), Do lok tin si (1995), Chun gwong cha sit (1997), 2046 (2004) and My Blueberry ...
- July 17, 1956
By restricting his cinematic language, Wong “echoes the restriction of action that plagues Mr. Chow and Mrs. Chan in 1960s Hong Kong.” The recent 20th-anniversary restoration of In the Mood for Love and those of Wong’s other work are even now being screened around the globe.
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Wong Kar-wai is a Hong Kong Second Wave filmmaker, internationally renowned as an auteur for his visually unique, highly stylized films. Wong's films frequently feature protagonists who yearn for romance in the midst of a knowingly brief life and scenes that can often be described as sketchy, digressive, exhilarating, and containing vivid ...