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  1. Progressive Jazz. Progressive Jazz is a term coined by Stan Kenton to refer to a type of experimental and somewhat dissonant big-band jazz music of the 1950s. The music was characterized by complex, loud, and brassy voicings with arrangements -- often titled "fugue" or "elegy" -- that convey an association with art music.

  2. Bandleader Stan Kenton coined "progressive jazz" for his complex, loud, and brassy approach to big band jazz that conveyed an association with art music. [ 1] Progressive music is music that attempts to expand existing stylistic boundaries associated with specific genres of music. [ 2] The word comes from the basic concept of "progress", which ...

  3. Progressive Jazz. Progressive Jazz is a term coined by Stan Kenton to refer to a type of experimental and somewhat dissonant big-band jazz music of the 1950s. The music was characterized by complex, loud, and brassy voicings with arrangements -- often titled "fugue" or "elegy" -- that convey an association with art music. 0.00 / 0.00.

  4. The timeline of progressive jazz has an unclear starting point since the nature of the music has so many influences. The term itself "progressive jazz" began to surface in the 1940s. A post-war subgenre of this music was called "cool jazz" in that period, which was a more laid back presentation than the vibrant sounds of traditional jazz.

  5. Other articles where progressive jazz is discussed: Stan Kenton: Kenton was responsible for the “progressive jazz” label that some mistake for all modern jazz and some use to identify all Kenton-linked jazz. Some critics place his music in the “cool jazz” category and, being based in California, many of his players—including Shorty Rogers, Bill Perkins, and Shelly Manne—were ...

  6. Sep 20, 2022 · Jazz rock developed in the 60s via bands like Colosseum and Nucleus, and was set in stone with Miles Davis’s 1970 album Bitches Brew. But it was the eyepoppingly virtuoso Mahavishnu Orchestra , featuring the scintillating guitar playing of John McLaughlin and the stunning drumming of Billy Cobham, who were at the progressive forefront of the fusion sound.

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  8. Dec 17, 2020 · The point I’m labouring (excuse the unplanned pun) is that jazz, regardless of left-wing supporters and participants, had little influence on popular culture and values compared with pop music. Whilst jazz had (nearly) always been against racism it was the growing popularity of genres like blue-beat, ska and (later) reggae, and blues-soul and new-wave R&B (e.g. Stax and Motown) that fostered ...

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