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  1. Dark Mountain is a 1944 American film noir crime film directed by William Berke. It is also known as Thunderbolt and Thunder Mountain . Plot Summary [ edit ]

  2. Aug 1, 2014 · Dark Mountain: Directed by Tara Anaïse. With Ron Eagle D'Andre II, Adam Haley, Sage Howard, George E. Johnston. In March of 2011, three filmmakers disappeared in the Superstition Mountains of Arizona while documenting their search for the Lost Dutchman mine.

    • (988)
    • Horror, Sci-Fi, Thriller
    • Tara Anaïse
    • 2014-08-01
  3. Park ranger Don Bradley (Robert Lowery) is heartbroken when Kay (Ellen Drew), the woman he loves, marries successful businessman Steve Downey (Regis Toomey). But Kay is mortified upon realizing ...

    • Action
    • Robert Lowery, Ellen Drew, Regis Toomey
    • William Berke
  4. Oct 8, 2014 · REVIEW: Dark Mountain is the 2013 found footage tale of three nuts wandering around a modern communication dead zone in search of a cave filled with gold for a documentary. Along the vein of most found footage the idea behind Dark Mountain is that events transpired in such as way where only the camera and the footage there within were found but ...

    • Ben French
  5. Dark Mountain: Directed by William Berke. With Robert Lowery, Ellen Drew, Regis Toomey, Eddie Quillan. A woman doesn't realize that the man she has just married is a gangster.

    • (375)
    • Crime, Drama, Film-Noir
    • William Berke
    • 1944-09
  6. Dark Mountain is an unusually tight Pine-Thomas joint, one which clocks in at under an hour and, for the most part, manages to focus on just a single story (!) throughout. While that story, about a woman getting caught up in her new husband's life of crime and running to her ex for help, isn't particularly thrilling, the presence of Regis Toomey as Steve, the racketeer husband, raises the film ...

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  8. The Pine-Thomas production division of Paramount specialized in low-budget B movies like Fear in the Night (1946), Manhandled (1949), and this one, William Berke’s Dark Mountain, the first Pine-Thomas film to (loosely) meet noir qualifications, even if its tone is more quaint than bleak (just like in Fred Zinnemann’s Eyes in the Night two years earlier, a dog saves the day!).

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