Jean-Baptiste Poquelin, dit Molière
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Molière is a 1978 French drama film directed by Ariane Mnouchkine. It was entered into the 1978 Cannes Film Festival.
Molière: Directed by Ariane Mnouchkine. With Philippe Caubère, Marie-Françoise Audollent, Frédéric Ladonne, Odile Cointepas. Who was Moliere? He is known everywhere as one of the world's greatest playwrights. But who was he? Born Jean-Baptiste Poquelin in 1622, the son of a prosperous tapestry maker. His mother died when he was a boy.
- (890)
- Biography, Drama, History
- Ariane Mnouchkine
- 1980-01
Molière est un film réalisé par Ariane Mnouchkine avec Philippe Caubère, Joséphine Derenne. Synopsis : Fresque cinématographique retraçant la jeunesse de Molière avec l'Illustre Théâtre ...
- (358)
- min | Biopic, Historique
- Ariane Mnouchkine
- 1978
Overview. Jean-Baptiste Poquelin is raised by his father and his grandfather because his mother dies when he's still very little. He works as a handyman, studies the law at a university and travels the country as an actor before he becomes the celebrated playwright Molière who impresses firstly the Duke of Orleans and then even King Louis XIV.
Molière est un film français réalisé par Ariane Mnouchkine, sorti en 1978. Le film a été diffusé sous le titre Molière, ou la Vie d'un honnête homme et remonté en cinq téléfilms de soixante minutes chacun [1] qui ont été diffusés du 6 mars [2] au 17 mars 1981 [3] sur Antenne 2.
- Philippe CaubèreMarie-Françoise Audollent
- Ariane Mnouchkine
- Ariane Mnouchkine
- Molière, ou la Vie d'un honnête homme
Synopsis. Jean-Baptiste Poquelin is raised by his father and his grandfather because his mother dies when he’s still very little. He works as a handyman, studies the law at a university and travels the country as an actor before he becomes the celebrated playwright Molière who impresses firstly the Duke of Orleans and then even King Louis ...
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The film gives insights both into seventeenth-century French theatre, from the makeshift stages of travelling companies to buildings in cities, and into performances, whether the declamation of tragedy or Molière’s own celebrated comic technique.
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