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Dec 25, 2007 · Imaginary Witness: Hollywood and the Holocaust: Directed by Daniel Anker. With Gene Hackman, Norma Barzman, Jack Benny, Michael Berenbaum. The history of Hollywood's handling of the Nazis and its later depiction of the Holocaust they perpetrated.
- (663)
- Documentary, History
- Daniel Anker
- 2007-12-25
Imaginary Witness: Hollywood and the Holocaust is a 2004 documentary film directed by Daniel Anker and narrated by Gene Hackman that examines the treatment of the Holocaust in Hollywood films over a period of sixty years and the impact of the films on public perception and thinking, and vice versa. [1] The film was originally produced for the ...
Imaginary Witness: Hollywood and the Holocaust. Imaginary Witness is powerful and complex, and few will manage to make it through to the end without gasping, weeping or covering their eyes. Anker ...
- (16)
- Daniel Anker
Aug 17, 2017 · The history of Hollywood's handling of the Nazis and its later depiction of the Holocaust they perpetrated.Directed by Daniel Anker.Narrated by Gene Hackman....
- 92 min
- 706
- Manu Alvarez Justo
An audience favorite at more than 50 film festivals around the world, and the centerpiece of dozens of panels and conferences at theaters, universities, and museums from Warsaw to Washington, DC, IMAGINARY WITNESS tells a provocative and mostly unknown story of the 60-year relationship between Hollywood and the atrocities of Nazi Germany.
- 4 min
- 1840
- API FILMS
Jan 1, 2004 · Daniel Anker’s 90-minute documentary takes on over 60 years of a very complex subject: Hollywood’s complicated, often contradictory relationship with Nazi Germany and the Holocaust. The questions it raises go right the very nature of how film functions in our culture, and while hardly exhaustive, Anker’s film makes for a good, thought provoking starting point.
Daniel Anker’s 90-minute documentary takes on over 60 years of a very complex subject: Hollywood’s complicated, often contradictory relationship with Nazi Germany and the Holocaust. The questions it raises go right the very nature of how film functions in our culture, and while hardly exhaustive, Anker’s film makes for a good, thought provoking starting point.
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