Search results
The Song of Love (also known as Le chant d'amour or Love Song) is a 1914 painting by Italian metaphysical painter Giorgio de Chirico. It is one of the most famous works by Chirico and an early example of the surrealist style, though it was painted ten years before the movement was "founded" by André Breton in 1924.
- Oil on Canvas
May 28, 2013 · A painting by the Italian artist Giorgio de Chirico, who created a distinctive style of metaphysical art. The work depicts a pink rubber glove, a plaster head, a green ball, and a train in a surreal and melancholic setting.
Apr 17, 2020 · The Song of Love is an oil painting from 1914 that depicts a classical Greek head, a glove, a ball, a train and a locomotive in a metaphysical setting. It is one of the most famous works of the Italian painter Giorgio de Chirico, who influenced the surrealist movement.
Nov 4, 2021 · Join me as I present my interpretation of Giorgio de Chirico's wonderful painting 'The Song Of Love' . Painted in June/July 1914 in Paris, it is a metaphysic...
- 8 min
- 2.7K
- Great Artists Steal
Jul 10, 2020 · The Song of Love is a 1914 artwork that depicts a classical bust, a rubber glove, a green ball and a train in a cityscape. It is an early example of the surrealist style and a key work by the Italian metaphysical painter Giorgio de Chirico.
Analysis of The Song of Love by Giorgio de Chirico. The Song of Love ("Le chant d'amour" or "Love Song"), with its mysterious and incongruous combination of a classical head, a rubber glove and a ball, was typical of those metaphysical works by de Chirico that so appealed to the Surrealism movement.
People also ask
What is the song of Love by Giorgio de Chirico?
Who created the song of Love?
Did Giorgio de Chirico paint the song of Love?
What were the dimensions of the song of Love?
Mar 18, 2023 · Giorgio de Chirico’s 1914 painting The Song of Love, also known as Le chant d’amour or Love Song, is a metaphysical work. One of de Chirico’s best-known works, it is also an early example of the surrealist style, even though it was painted ten years before André Breton “founded” the movement.