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  1. Elle-Máijá Apiniskim Tailfeathers (born in 1986 [4]) is a Canadian filmmaker, actor, and producer. [5] [6] [7] [8] She has won several accolades for her film work, including multiple Canadian Screen Awards. [9] Born in Cardston, Alberta, Tailfeathers began acting in the late 2000s before embarking on a career as a filmmaker. [10]

  2. Elle-Máijá Tailfeathers is a writer, director, producer and actor. She is a member of the Kainai First Nation (Blood Tribe, Blackfoot Confederacy) as well as Sámi from Norway.

    • 1.73 m
    • 2 min
    • Actress, Writer, Director
  3. elle-mÁijÁ tailfeathers is a writer, director, producer and actor. she is a member of the kainai first nation (blood tribe, blackfoot confederacy) as well as sÁmi from uŊÁrga (nesseby, norway).

  4. Dec 13, 2022 · There’s a scene in the first episode of Prime Video’s new Canadian mystery-crime series Three Pines in which an Indigenous woman named Bea, played by acclaimed Cree and Métis actor Tantoo Cardinal, briefly meets detective Isabelle Lacoste, played by Blackfoot and Sámi star Elle-Máijá Tailfeathers.

  5. www.elle-maija-tailfeathers.com › aboutABOUT — EMT

    elle-mÁijÁ tailfeathers is a writer, director, producer and actor. SHE IS A MEMBER OF THE KAINAI FIRST NATION (BLOOD TRIBE, BLACKFOOT CONFEDERACY) AS WELL AS SÁMI FROM NORWAY. BEGINNING HER CAREER AS AN ACTOR IN 2006 AND A FILMMAKER IN 2011, ELLE-MÁIJÁ IS A TRUE CREATIVE FORCE BOTH IN FRONT OF AND BEHIND THE LENS.

  6. Elle-Máijá Tailfeathers is a writer, director, producer and actor. She is a member of the Kainai First Nation (Blood Tribe, Blackfoot Confederacy) as well as Sámi from Norway. Her short documentary Bihttos was included in the 2015 TIFF Top Ten Shorts and was commissioned for the imagineNATIVE Embargo Collective.

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  8. May 14, 2021 · Elle-Máijá Tailfeathers’s Kímmapiiyipitssini is a documentary about the opioid crisis ravaging Tailfeathers’s own community of the Kainai First Nation. It’s fitting that a film that approaches that topic with such empathy and humanism doesn’t begin with sensationalised imagery of harm, but images and sounds of parental love and caring.