2011
Search results
Harvey Keitel ( / kaɪˈtɛl / ky-TEL; born May 13, 1939) is an American actor known for his portrayal of morally ambiguous and "tough guy" characters.
American actor and producer Harvey Keitel was born on May 13, 1939 in Brooklyn, New York City, to Miriam (Klein) and Harry Keitel. An Oscar and Golden Globe Award nominee, he has appeared in films such as Martin Scorsese's Mean Streets (1973) and Taxi Driver (1976), Ridley Scott's The Duellists (1977) and Thelma & Louise (1991), Peter Yates ...
Actor: Reservoir Dogs. American actor and producer Harvey Keitel was born on May 13, 1939 in Brooklyn, New York City, to Miriam (Klein) and Harry Keitel. An Oscar and Golden Globe Award nominee, he has appeared in films such as Martin Scorsese's Mean Streets (1973) and Taxi Driver (1976), Ridley Scott's The Duellists (1977) and Thelma & Louise ...
The 20 Best Films of Harvey Keitel. by kobe1413 • Created 9 years ago • Modified 3 years ago. I have listed the twenty best films from the great actor, Harvey Keitel.
Jun 19, 2024 · Harvey Keitel (born May 13, 1939, Brooklyn, New York, U.S.) is an American film actor known for his swaggering tough-guy persona and wryly gruff delivery. Keitel served in the U.S. Marine Corps and then studied at the Actors Studio.
Apr 30, 2024 · Harvey Keitel lifts uneven Holocaust melodrama The Tattooist of Auschwitz — review. Based on Heather Morris’s bestseller, the Sky Atlantic/Peacock series tells the true story of...
Apr 10, 2024 · Harvey Keitel plays an elderly Slovakian Jew recalling a real-life story of romance, survival and hope in a Nazi concentration camp, where he tattooed the arms of thousands of fellow...
Harvey Keitel (born May 13, 1939) is an American actor known for his portrayal of morally ambiguous and "tough guy" characters.
Academy-award nominee Harvey Keitel talks about his role in the adaptation of Heather Morris’s best-selling novel, The Tattooist of Auschwitz.
Jan 17, 1993 · Keitel was an actor unlike other leading men. He seemed vulnerable, needy and driven--but in a fundamental way, not in a mannered way, like James Dean. His character introduced the theme that would be central to Scorsese's work, and to Keitel's: Guilt and its redemption.
