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Rose Constance Gilchrist (July 17, 1895 – March 3, 1985) was an American stage, film, and television actress. Among her screen credits are roles in the Hollywood productions Cry 'Havoc' (1943), A Letter to Three Wives (1949), Little Women (1949), Tripoli (1950), Houdini (1953), Some Came Running (1958), and Auntie Mame (1958).
Connie Gilchrist (1895-1985) was a character actress who appeared in films, TV shows, and musicals. She was known for her roles in Auntie Mame, A Letter to Three Wives, and The Real McCoys.
- January 1, 1
- Brooklyn, New York City, New York, USA
- January 1, 1
- Santa Fe, New Mexico, USA
Connie Gilchrist (23 January 1865 – 9 May 1946) was a British child artist's model, actress, dancer and singer who, at a very early age, attracted the attention of the painters Frederic Leighton, Frank Holl, William Powell Frith and James McNeill Whistler, the writer and photographer Lewis Carroll and aristocrats, Lord Lonsdale and the Duke ...
Connie Gilchrist. Actress: Auntie Mame. With more than two decades of stage experience in France, England and on Broadway behind her, this moon-faced, heavy-set character actress first entered films in 1940.
- July 17, 1895
- March 3, 1985
Dec 2, 2018 · Researchers preparing for an exhibition on Victorian attitudes to childhood, called Seen and Heard, have found that Connie Gilchrist, the forgotten young musician in painter Frederic Leighton’s...
Connie Gilchrist (23 January 1865 – 9 May 1946) was a British child artist’s model, actress, dancer and singer who, at a very early age, attracted the attention of the painters Frederic Leighton, Frank Holl, William Powell Frith and James McNeill Whistler, the writer and photographer Lewis Carroll and aristocrats, Lord Lonsdale and the Duke ...
Rose Constance Gilchrist was an American stage, film, and television actress. Among her screen credits are roles in the Hollywood productions Cry 'Havoc' (1943), A Letter to Three Wives (1949), Little Women (1949), Tripoli (1950), Houdini (1953), Some Came Running (1958), and Auntie Mame (1958).
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