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  1. en.wikipedia.org › wiki › VrioonVrioon - Wikipedia

    Vrioon is the debut collaboration album between Ryuichi Sakamoto and Alva Noto, released in 2002. [1] [2] This is the first album in the Virus Series followed by four other records: Insen (2005), Revep (2006), utp_ (2008), and Summvs (2011).

  2. Twenty years after its original release, Alva Noto and Ryuichi Sakamoto’s minimalist masterpiece returns on NOTON on May 27, 2022. Initially released in 2002, Vrioon is the debut collaboration album between Alva Noto and Ryuichi Sakamoto and the first installment of V.I.R.U.S.’s five albums series.

  3. Album, Stereo. Explore the tracklist, credits, statistics, and more for Vrioon by Alva Noto + Ryuichi Sakamoto. Compare versions and buy on Discogs.

    • (429)
    • Electronic
    • 108
    • Glitch, Modern Classical, Minimal
  4. Pioneers in their own musical approaches, Alva Noto and Ryuichi Sakamoto, began their exploration of sound in the evocatively titled V.I.R.U.S series in 2002. After more than a decade from the release of the collection's final installment with “Summvs” in 2011, NOTON reissues all the five albums between June and October 2022.

    • (31)
  5. May 27, 2022 · Initially released in 2002, 'Vrioon' Is The debut collaboration album between Alva Noto and Ryuichi Sakamoto and the first installment of the V.I.R.U.S.'s five album series. Remastered in 2021 in collaboration with Calyx Studio, the album's recordings are accompanied by a new composition entitled "Landscape Skizze", originally recorded in 2005 ...

    • (2)
    • 7 x File, FLAC, Album, Reissue, Remastered
    • Germany
    • Noton-N-051
  6. Vrioon, an Album by Alva Noto + Ryuichi Sakamoto. Released in December 2002 on raster-noton (catalog no. r-n 50; CD). Genres: Glitch, Ambient. Rated #334 in the best albums of 2002. Featured peformers: Alva Noto (music), Ryuichi Sakamoto (music, piano), Carsten Nicolai (sound effects).

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  8. Vrioon is a more organic and meditative work than their later collaboration on Insen. True appreciation of such intricate and sympathetic sonic delicacies calls for a learned ear, but hearing and recognizing the curious interplay in this sparse acoustic-electronic dialog is joyfully easy.