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  2. Cinematography (Black-and-White) - John Seitz Directing - Billy Wilder Music (Music Score of a Dramatic or Comedy Picture) - Miklos Rozsa

    • Academy Award for Cinematography (Black-and-White) 19451
    • Academy Award for Cinematography (Black-and-White) 19452
    • Academy Award for Cinematography (Black-and-White) 19453
    • Academy Award for Cinematography (Black-and-White) 19454
    • Academy Award for Cinematography (Black-and-White) 19455
  3. From 1939 to 1967 with the exception of 1957, there were also separate awards for color and black-and-white cinematography. After Who's Afraid of Virginia Woolf? (1966), the most recent black-and-white films to win since then are Schindler's List (1993), Roma (2018) and Mank (2020).

    • Best Motion Picture
    • Directing
    • Actor
    • Actress
    • Actor in A Supporting Role
    • Actress in A Supporting Role
    • Writing
    • Music
    • Film Editing
    • Cinematography

    Anchors Aweigh – Metro-Goldwyn-Mayer The Bells of St. Mary’s – Rainbow Productions The Lost Weekend – Paramount Mildred Pierce – Warner Bros. Spellbound– Selznick International Pictures

    The Bells of St. Mary’s – Leo McCarey The Lost Weekend – Billy Wilder National Velvet – Clarence Brown The Southerner – Jean Renoir Spellbound– Alfred Hitchcock

    Bing Crosby – The Bells of St. Mary’s Gene Kelly – Anchors Aweigh Ray Milland – The Lost Weekend Gregory Peck – The Keys of the Kingdom Cornel Wilde – A Song to Remember

    Ingrid Bergman – The Bells of St. Mary’s Joan Crawford – Mildred Pierce Greer Garson – The Valley of Decision Jennifer Jones – Love Letters Gene Tierney – Leave Her to Heaven

    Michael Chekhov – Spellbound John Dall – The Corn Is Green James Dunn – A Tree Grows in Brooklyn Robert Mitchum – G. I. Joe J. Carrol Naish – A Medal for Benny

    Eve Arden – Mildred Pierce Ann Blyth – Mildred Pierce Angela Lansbury – The Picture of Dorian Gray Joan Lorring – The Corn Is Green Anne Revere – National Velvet

    The Affairs of Susan – Thomas Monroe, Laszlo Gorog The House on 92nd Street – Charles G. Booth A Medal for Benny – John Steinbeck, Jack Wagner Objective, Burma! – Alvah Bessie A Song to Remember– Ernst Marischka

    “Accentuate The Positive” – Here Come the Waves – Music by Harold Arlen; Lyrics by Johnny Mercer “Anywhere” – Tonight and Every Night – Music by Jule Styne; Lyrics by Sammy Cahn “Aren’t You Glad You’re You?” – The Bells of St. Mary’s – Music by James Van Heusen; Lyrics by Johnny Burke “The Cat And The Canary” – Why Girls Leave Home – Music by Jay L...

    The Bells of St. Mary’s – Harry Marker The Lost Weekend – Doane Harrison National Velvet – Robert J. Kern Objective, Burma! – George Amy A Song to Remember– Charles Nelson

    The Keys of the Kingdom – Arthur Miller The Lost Weekend – John F. Seitz Mildred Pierce – Ernest Haller The Picture of Dorian Gray – Harry Stradling Spellbound– George Barnes

  4. The 17th Academy Awards were held on March 15, 1945 at Grauman's Chinese Theatre, honoring the films of 1944. This was the first time the complete awards ceremony was broadcast nationally, on the Blue Network (later ABC Radio ).

  5. Mar 28, 2021 · Janusz Kaminski won the Best Achievement in Cinematography Oscar for his stark black and white photography with the only splash of color being the little girl’s red jacket. Schindler’s List was Janusz Kaminski’s first collaboration with Steven Spielberg.

  6. The Picture of Dorian Gray is a 1945 American supernatural horror-drama film based on Oscar Wilde's 1890 novel of the same name. Released in June 1945 by Metro-Goldwyn-Mayer, the film was directed by Albert Lewin, and stars George Sanders as Lord Henry Wotton and Hurd Hatfield as Dorian Gray.

  7. 1945: Black-and-White: Harry Stradling (The Picture of Dorian Gray); Color: Leon Shamroy (Leave Her to Heaven)

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