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Henri Colpi (French:; 15 July 1921 – 14 January 2006) was a French film editor and film director. Early life [ edit ] Colpi graduated from the IDHEC in 1947.
modifier - modifier le code - modifier Wikidata Henri Colpi , né Enrico Colpi le 15 juillet 1921 à Brigue , en Suisse , et mort le 14 janvier 2006 à Menton (Alpes-Maritimes), est un monteur , scénariste et réalisateur français . Biographie [modifier | modifier le code] Après des études de lettres à Montpellier , il suit les cours de l' IDHEC , dont il sort diplômé en 1946. Il se ...
Henri Colpi was born on 15 July 1921 in Brig, Valais, Switzerland. He was a director and writer, known for The Long Absence (1961) , Codine (1963) and Hiroshima Mon Amour (1959) . He died on 14 January 2006 in Menton, Alpes-Maritimes, France.
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- Brig, Valais, Switzerland
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- Menton, Alpes-Maritimes, France
Henri Colpi (15 July 1921 – 14 January 2006) was an accomplished editor whose innovative work on Alain Resnais’ Hiroshima Mon Amour (1959) and L’Année dernière à Marienbad (Last Year at Marienbad, 1961), contributed greatly to their dramatic impact. He was also a respected director whose most famous film, Une Aussi Longue Absence ( The ...
Learn about Henri Colpi, a Swiss-born film editor and director who worked on Hiroshima Mon Amour and Last Year At Marienbad. Find out his biography, awards and filmography on BAFTA website.
Jan 14, 2006 · Henri Colpi is known as an Editor, Director, Actor, Writer, Screenplay, Assistant Editor, Thanks, Sound Recordist, Technical Advisor, and Associate Producer. Some of his work includes The Long Absence, Happy He Who Like Ulysses, The Mysterious Island, Mysterious Island, Codine, The Nameless Star, Fortune, and Rafael Kubelik A Portrait.
Jun 5, 2022 · Is Henri Colpi’s The Long Absence as good as Luis Buñuel’s Viridiana? No, but it’s also a shame that the former has had to live in the shadow of the latter, because in this very first tied win for the Palme d’Or that I’m covering (excluding the many Grand Prix winners of the ‘40s or the Grand Prix ties of the ‘50s), the “lesser” film is still something quite beautiful, and ...
