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Max Borenstein (born June 20, 1981) is an American screenwriter. He is best known as the creator of the MonsterVerse film series featuring classic Kaiju of Toho 's Godzilla mythos , including writing Godzilla , Godzilla: Awakening (both 2014) and Kong: Skull Island (2017), and contributing to the story of Godzilla: King of the Monsters (2019) and Godzilla vs. Kong (2021).
Max Borenstein. Writer: The Terror. Max Borenstein is known for The Terror (2018), Godzilla (2014) and Winning Time: The Rise of the Lakers Dynasty (2022).
- Writer, Producer, Director
- 3 min
Sep 1, 2021 · Max Borenstein, writer and producer of Netflix's 9/11 drama 'Worth,' talks with Observer about making the film over nearly 15 years.
May 8, 2022 · A lot of credit for that goes to creator and writer Max Borenstein, who has helped adapted Jeff Perlman‘s book. Now a hit HBO program, it hardly requires an interest in sports to become hooked. With the finale of season one going down tonight and a second season on the way, now is the perfect time to share my recent chat with Borenstein.
Sep 2, 2021 · Adapted from a book by Feinberg, “Worth” is a script by Max Borenstein that dates back to 2008, when it was put on the Hollywood Black List. Since then, Borenstein has grown an impressive resume as a writer and showrunner, having worked on each of the films in the Godzilla and King Kong Monsterverse franchise, while helping create shows ...
Borenstein wrote, edited, and directed the 2003 film Swordswallowers and Thin Men while a senior at Yale University. The film starred Peter Cellini, Zoe Kazan, Fran Kranz and Graham Norris, and featured Army Wives star Sally Pressman and Midnight's Children lead Satya Bhabha. The film won Best Feature and Best Screenplay at the New York Independent Film Festival and was named Best First ...
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Sep 8, 2021 · Max Borenstein: Well, that's part of it - it's that I didn't know the story prior to being made aware of it and reading Ken Feinberg's memoir. Obviously, we all know 9/11, many of us look through it and remember it very well, but that particular angle of the aftermath was something that I wasn't familiar with until reading his memoir about the fund and the administration of the fund.
