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  1. Back to selection “Our Crew was Three People”: Slow Machine’s Paul Felten, Joe DeNardo and Stephanie Hayes on Their Rivette-Inspired Punk Thriller

  2. Jun 3, 2021 · Simultaneously high stakes and low-key, “Slow Machine,” the enigmatic debut feature of Joe DeNardo and Paul Felten, who also wrote it, follows a Swedish actress named Stephanie (Stephanie Hayes).

    • Kristen Yoonsoo Kim
    • Joe Denardo, Paul Felten
  3. Aug 24, 2023 · The way Paul talks about the Slow Machine process, and the actual experience of watching the film, both indicate that he and Joe took a bunch of amazing theatre actors, and a great deal of theatre conventions, and essentially said to themselves “let’s see what this could look like on camera.” It’s not that a great film is necessarily a “well made play,” Paul tells me, but he likes ...

  4. Dec 9, 2021 · Paul Felten recommends: A dart board: the best self-care purchase I’ve made in years, and not just because of the pandemic. Don’t skimp, get the cabinet set. L’Rain’s Fatigue: still a daily listen for me months after it came out - refuses to settle, in all the ways. @becauseimmissy on TikTok: congratulations to her and Bryce!

  5. A. Paul: When I was writing the script, I always imagined the “safe house” that Gerard keeps bringing Stephanie back to as a much more regular-seeming, if rather anonymous, New York apartment. But for both budgetary and logistical reasons, we ended up using a small sound studio that our first sound person, Barry London, ran in Greenpoint at the time.

  6. Jun 1, 2021 · Ricky D’Ambrose’s Notes on an Appearance, Bingham Bryant’s Foreign Powers, and now Paul Felten and Joe DeNardo’s Slow Machine all cast the gentrified milieu of the outer boroughs as a locus of intrigue, as if the lives of bohemian artists and trust fund layabouts are enmeshed with the secret order of the city.

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  8. MATÍAS PIÑEIRO with Paul Felten OCT 2014 Beginning with The Stolen Man (2007) the Argentinian-born director Matías Piñeiro has made films that I can only describe as tantalizingly in-between— in between classical elegance and avant-garde jaggedness, workshop and finished product.

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