Search results
Back to selection “Our Crew was Three People”: Slow Machine’s Paul Felten, Joe DeNardo and Stephanie Hayes on Their Rivette-Inspired Punk Thriller
Jun 3, 2021 · Simultaneously high stakes and low-key, “Slow Machine,” the enigmatic debut feature of Joe DeNardo and Paul Felten, who also wrote it, follows a Swedish actress named Stephanie (Stephanie Hayes).
- Kristen Yoonsoo Kim
- Joe Denardo, Paul Felten
Aug 24, 2023 · The way Paul talks about the Slow Machine process, and the actual experience of watching the film, both indicate that he and Joe took a bunch of amazing theatre actors, and a great deal of theatre conventions, and essentially said to themselves “let’s see what this could look like on camera.” It’s not that a great film is necessarily a “well made play,” Paul tells me, but he likes ...
Dec 9, 2021 · Paul Felten recommends: A dart board: the best self-care purchase I’ve made in years, and not just because of the pandemic. Don’t skimp, get the cabinet set. L’Rain’s Fatigue: still a daily listen for me months after it came out - refuses to settle, in all the ways. @becauseimmissy on TikTok: congratulations to her and Bryce!
A. Paul: When I was writing the script, I always imagined the “safe house” that Gerard keeps bringing Stephanie back to as a much more regular-seeming, if rather anonymous, New York apartment. But for both budgetary and logistical reasons, we ended up using a small sound studio that our first sound person, Barry London, ran in Greenpoint at the time.
Jun 1, 2021 · Ricky D’Ambrose’s Notes on an Appearance, Bingham Bryant’s Foreign Powers, and now Paul Felten and Joe DeNardo’s Slow Machine all cast the gentrified milieu of the outer boroughs as a locus of intrigue, as if the lives of bohemian artists and trust fund layabouts are enmeshed with the secret order of the city.
People also ask
Who is Edward Felten?
Who is Pete Felten?
What does Felten do for a living?
Who is Michael Felton?
MATÍAS PIÑEIRO with Paul Felten OCT 2014 Beginning with The Stolen Man (2007) the Argentinian-born director Matías Piñeiro has made films that I can only describe as tantalizingly in-between— in between classical elegance and avant-garde jaggedness, workshop and finished product.