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  1. Atom Egoyan. Atom Egoyan (armeenia keeles Ատոմ Էգոյան; sündinud 19. juulil 1960 Kairos) on armeenia päritolu Kanada filmirežissöör. Filme ...

  2. Feb 22, 2024 · If anything, it is a wonder that Atom Egoyan hasn’t investigated Salome’s seedy story on film before; its stew of perverse lusts, transactional sex, incest and sickly family dynamics is very ...

  3. Feb 22, 2024 · From his breakthrough work Family Viewing, which dates back to 1987, Atom Egoyan has been exploring the possibilities of different communication technologies by showing screens within screens, stories within other stories and the ways unconnected stories may merge with each other and with real life. Seven Veils is named for the biblical character Salome, whose …

  4. www.theyshootpictures.com › egoyanatomTSPDT - Atom Egoyan

    "Atom Egoyan hinges his metatextual cinema on themes of emotional and psychological displacement. While biographical readings are often suspect, it is easy - given how candid Egoyan is with personal details in interview - to see how his own background of displacement influences his films…

  5. Atom Egoyan, OC is a critically acclaimed Armenian-Canadian independent film maker. His work often explores themes of alienation and isolation, featuring characters whose interactions are mediated through technology, bureaucracy or other power structures. Egoyan's films often follow non-linear plot-structures, in which events are placed out of sequence in order to elicit specific emotional ...

  6. 3 days ago · TIFF has announced the competitive Platform lineup today with a jury that includes Oscar nominated filmmaker Atom Egoyan as its Head, South Korean filmmaker Hur Jin-ho and award-winning American filmmaker and essayist Jane Schoenbrun. Jin-ho directed last year’s A Normal Family which made its world premiere at TIFF. Named after Jia Zhang-Ke’s groundbreaking second feature, …

  7. Apr 15, 2023 · Within the landscape of Canadian cinema, auteur Atom Egoyan has emerged as one of the most original artistic voices. Known for his masterpieces such as The Adjuster and The Sweet Hereafter, Egoyan’s vision of cinema often produces brilliant examinations of the specific kind of spiritual alienation enforced by modernity.